For many years Mickey Mouse was the star of Disney’s theatrical shorts. As his popularity grew he started to shift into more of a supporting role while the likes of Donald Duck, Goofy, and even his dog Pluto stepped in to do more of the heavy lifting with the shorts business. Mickey Mouse became more than just a cartoon character, he became a symbol of the Walt Disney Company which soon branched out from the movie theaters to television, merchandising, theme parks, and now own Spider-Man, Luke Skywalker, and have an omnipresence unlike any other. Through it all, Mickey has remained the top figurehead, especially after the passing of Walt Disney who has really been the only public face associated with the company that the average person could pick out of a line-up. With Mickey in that capacity, his animated outings dwindled. He’d show up here in there, most famously in 1983’s Mickey’s Christmas Carol and 1995’s Runaway Brain. His presence was bolstered on television, but mostly in the realm of programming for the very young. Perhaps someone at Disney was unhappy with the status of the company’s mascot, and the characters associated with him, as in 2013 he was brought out of his forced retirement to resume the role he was born to play.
Simply titled Mickey Mouse, the 2013 “show” isn’t much of a show at all, but just branding for a new line of short cartoons. They primarily air as filler on the various Disney cable platforms and can be easily found on various Disney websites. They’re also packaged together in groups of three for more traditional block programming, but considering their short run time of approximately 4 minutes, even these blocks are quite brief. The first season of shorts was released on DVD in August of 2014. Now three years later, it’s still the only season of the program to receive a physical release (a holiday collection was just released on August 29th, 2017 in limited quantities) and may end being the only one to receive such.
The series is credited to Paul Rudish who was long associated with Cartoon Network before developing this program. Most of the voice actors associated with the classic Disney characters were brought on to voice their respective character. Bill Farmer is Goofy, Tony Anselmo is Donald, Russi Taylor voices Minnie Mouse, and Tress MacNeille does Daisy. The only exception was with the star character himself: Mickey Mouse. Mickey had been voiced by Brett Iwan since the passing of Wayne Allwine who had been voicing Mickey since the late 70s. Someone involved with the casting of this show felt Iwan’s portrayal of Mickey wasn’t suited for a more cartoon-like portrayal so Chris Diamantopoulos was hired to voice Mickey. This basically means that for the first time in Mickey’s 80+ years existence he has two official voice actors. While it’s true a number of individuals stepped in during the Walt years to voice Mickey here and there, none were ever considered an official voice of The Mouse. It’s strange and somewhat upsetting for Disney historians (I tackled the subject in this post about Donald Duck suddenly having two voices) for Mickey to have more than one official voice, but I suppose it is what it is.
Brett Iwan probably could have handled voicing Mickey just fine for these shorts. Ignoring that though, Diamantopoulos’ Mickey is similar in that he’s still a high-voiced character with a smooth delivery. This Mickey is more manic than what we’re accustomed to seeing. He often overreacts to simple slights and obstacles and is prone to screaming. Most of the characters are interpreted through this more outlandish lens as the toon quality of the show is emphasized in almost every scene. Minnie is very similar in attitude to Mickey as she’s more or less a female version of the same character. That doesn’t mean she’s uninteresting as she still possesses a personality, it just happens to be very similar to Mickey’s making the two feel like a natural couple who’s been together for decades – which they have! Daisy, on the other hand, is snobbish and materialistic and often likes to brag about her man, err duck, Donald. Goofy is more dim-witted than ever, and he’s also seen the most extreme redesign. The other characters are basically just stylized takes on their classic looks, but Goofy almost looks like a different character. His model reminds me of the George & Junior 90’s “What A Cartoon” show designs. He’s kept his hat and vest, but ditched his pants and even grew a tale. He’s pretty gross too, with stinky feet and is seen scratching himself and picking lint out of his belly button. Donald actually comes across as slightly more mellow than his usual persona. He’s sometimes dismissive of Mickey, but still has his meltdowns. He’s a bit mean-spirited too and isn’t above laughing at another’s misfortune, and that’s pretty much in tune with his classic portrayal. Appearing sporadically is Peg-Legged Pete voiced by Jim Cummings. For the first time in a long time, Pete is even portrayed with his old peg leg. This is also the most cat-like his appearance has been outside of his earliest appearances.
Visually, the show is very 90s in its looks. Mickey and gang are still fundamentally cute in appearance, but they’re also shown in ugly lights too. When Mickey is worn out or sad his snout will droop making him resemble Mortimer Mouse more than Mickey. It’s a part of Mickey’s anatomy I’ve never seen emphasized before. His eyes and coloring are consistent with his first run of shorts in color. The only real change there is in his over-sized shorts which impossible stay around his waist. The artists and animators love playing with his ears. They slide around on his head, pop-up off of his skull when he screams, and at times they’re even detached. The physics in play are very much of the Looney Tunes variety, with that 90s twist popularized by the likes of Ren & Stimpy, Rocko’s Modern Life, and Animaniacs. The animation is done in a modern way, meaning it’s likely all CG, but it resembles classic animation with its 2D look and backgrounds.
The show is very visual, with gags being the name of the game in a great many episodes, especially the season one shorts. Some of these gags are a play on the world and characters. The first broadcast short, “No Service,” tackles the age old question of why it’s permissible for Donald to strut around pants-less and Mickey without a shirt when the two are denied entry into Goofy’s burger joint. Donald ends up taking Mickey’s shorts so he can go inside and order food, leaving Mickey naked and vulnerable outside as he tries to hide from Minnie and Daisy. It’s one of the more hilarious shorts and lays the groundwork for basically all of the others in that Mickey is often presented with a simple obstacle or objective and he has to go through an awful lot to get around it. In “Stayin’ Cool,” Mickey, Donald, and Goofy have to try and beat the heat somehow. When they get tossed out of some guy’s pool they’re forced to search all over the city for a way to stay cool and wind up in an ice cream truck. You get some weird visual gags such as Goofy filling his shorts with ice cream. In “Third Wheel,” Goofy invites himself out on a date with Minnie and Mickey, and through some rather crazy machinations, the duo end up inside Goofy’s stomach enjoying a romantic dinner. When the camera leaves Goofy’s innards just as the two kiss, Goofy’s outer stomach starts a moving and a grooving. These suggestive visual gags are a bit shocking for those accustomed to only a certain brand of humor from Disney, and Mickey especially, but it’s hard to deny their effectiveness.
The music is appropriately upbeat for many of the high energy scenes in this collection of shorts. There’s also a nice sampling of low key jazz and big band music which is evocative of the classic shorts. And where appropriate, the shorts will even dig into Disney’s rich catalogue of original music here and there. There’s even cameos from classic Disney characters I won’t spoil, though some of my favorite cameos actually occur in later seasons. Some of the shorts take place in foreign countries, and in an interesting move, Mickey and his co-stars will speak the native language when the setting changes. Usually these shorts end up having minimal dialogue, but it’s a pretty neat attention to detail and down-right bold as well.
Mickey Mouse is a great return for the ageless mouse and his cast of friends and foes. There’s an infectious energy in this cartoon series that can’t be ignored. Watching it, one gets a sense of appreciation for these characters on the part of the creators as well as a desire to re-imagine them to a point and place them in new settings and new situations to see how they would respond. I can understand if some longtime fans of Mickey and Goofy, especially, are uncomfortable with this take or find their look unappealing, but I do hope they can appreciate the humor in this series. Really, for the first time in his existence, Mickey Mouse is actually a funny character on his own. He’s been the straight man for so many years, and prior to that he was somewhat of a thrill seeker and even a trickster, but rarely comedic. The series is still ongoing and is in the midst of its fourth season with over 60 shorts released, plus the holiday specials. I hope more is on the way and a physical release is considered for the episodes that have been stranded on cable and the internet. Season One includes 18 shorts, plus a brief making of type of feature that’s not really worth watching, and is readily available for less than 10 dollars. If you’re a Disney or animation fan it’s basically a no-brainer at such a low price point, and considering my own offspring is addicted to this disc, I can safely recommend it for children and adults alike.