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Dragon Ball Super: Broly

db super broly poster

Dragon Ball Super: Broly

The first movie under the Dragon Ball Super umbrella is one that sets out to take what was previously non-canon and adapt it into the main series. The most recent two Dragon Ball Z films; Battle of Gods and Resurrection ‘F’, ended up being the start of Dragon Ball Super which is now well over 100 episodes into its own series and several volumes of manga as well. It was last year that the series took a pause, seemingly coming to an end, only for this feature to be announced soon afterwards. Over the summer it was revealed that the subject of the film would be the infamous Broly, a character created for the prior Dragon Ball Z films that is either a fan-favorite or fan-hated character, depending on who you ask. In that universe, Broly was the featured villain of three separate films, and according to this humble blogger only one of those three films was any good. Broly is simply an all style and no substance villain. He’s big, mean, and powerful, but he has no real motivations beyond wanting to annihilate the hero of the series, Goku, whom he despises because he made him cry when the two were infants. Yup, you read that correctly.

Finding out that Broly would soon be adapted for his fourth film and presumably brought into canon left me with mixed feelings. Those feelings quickly shifted to positive ones though as what reason did I have to really doubt series creator Akira Toriyama? Broly already had the look, and aside from the reason for hating Goku being quite lame, the rest of his origin was fine. There was enough of a skeleton there that could be fleshed out into something worthwhile. And after doubting that there was anything left in this franchise, I’ve been proven wrong time and again by the last two features and basically the entirety of Dragon Ball Super. Toriyama, and those working with him, seem to have a handle on what sets this world apart from others. It’s the humor, as well as the action, that makes it go. The series can’t stop to take itself too seriously, or else it will betray what it is. Anchoring the series on the Goku and Vegeta characters is also fan-service at its best. It’s their differences as characters that works so well. It meant taking away most of what once made Vegeta a villain, but Dragon Ball Super has managed to make him likable and understandable without also softening him too much.

dbs broly normal

Broly is re-introduced in this one as canon with a tweak to his base design.

Before I go any further, it is worth pointing out just where this film follows in the grand scheme of things. If you’re like me and have been following Dragon Ball Super via the dub that airs weekly on Toonami then you’re going to have some things spoiled for you. This film takes place after the events of Dragon Ball Super so far, so it’s after the Tournament of Power which has yet to officially begin. If you watch the Japanese dub of the show, then no problem as you saw the finale almost a year ago. For us just watching on a standard cable package, it means having the events of that tournament some-what spoiled. And I mean that very loosely as the setup for that tournament is that all of the universes who lose are destroyed. I don’t think any viewer expects the universe inhabited by Goku and his friends to be wiped out and have the story end there, so the fact that this film even exists is only the most mild of spoilers. The film doesn’t go into any detail about how that crisis was resolved, so I didn’t feel particularly spoiled by anything. Only the fate of one character would really count there, so if you want absolutely nothing else spoiled you may want to stop here as I can’t really discuss this film without mentioning that character at least in passing. There’s your final warning.

king vegetas court

King Vegeta’s court where Paragus is informed on the fate of his son.

Okay, with that out of the way we can freely talk about Dragon Ball Super: Broly! This is a review, not a synopsis like I did with my DBZ movie feature from last summer, so I don’t aim to spoil anything pertinent to the film beyond just going over the general plot and setup. If you’re a longtime fan, you’re probably most curious about how this new Broly (Vic Mignogna) equates with the old. He’s a different character, but it is also largely the same. The film begins several years before the present day when planet Vegeta was still a thing. In addition to seeing the early days of Broly, we’re also treated to something previously untouched upon and that’s the transfer of power over the universe from King Cold (Jason Douglas) to his son, Frieza (Christopher Ayers). It’s fun seeing that acknowledged, though it’s not particularly thrilling. Broly himself though is soon introduced as a baby, and like the prior Broly, he seems to have incredible untapped power. King Vegeta (Christopher Sabat) appears jealous that this child rivals his own infant son, also Vegeta (Sabat), and it may explain what he does next.

dbs kid goku

The flashback also contains a brief look at young Goku in a somewhat touching scene.

Like the prior Broly, this one will find himself banished from planet Vegeta. His father, Paragus (Dameon Clarke), suspects the king did it out of jealousy, but the king claims he did it out of fear over what Broly is capable of. A power so terrible cannot be controlled and he could destroy them all. It’s hard to say what the truth is, but Paragus refuses to see his son exiled to a barren world alone. He steals a spaceship and chases after him all while swearing revenge on the king who did this to him and his son. We also get another peek at Goku’s father, Bardok (Sonny Strait), and even meet his mother, Gine (Emily Neves). It retcons the events of Bardock’s solo film a bit, and also shows us a softer side to the character which provides some context for how Goku (Sean Schemmel) came to be so different from other Saiyans. We also get to check in on a toddler Vegeta and Radditz, which is amusing, and see the destruction of planet Vegeta from another angle. There’s even a mention of a brother to Prince Vegeta that I was not aware of. I don’t know if that’s mentioned at all in the episodes I have not seen, or it could be a hint at something to come in a future movie or series.

dbs paragus

The design for Broly’s father, Paragus, is also still in-line with his old portrayal only now he’s aged up. He’s also still a dick.

After the lengthy setup, the film jumps to the present day and finds Goku and Vegeta sparring. They’ll soon find out that Frieza is up to not good, and his stealing of the Dragon Balls from Bulma’s (Monica Rial) lab is what sets the plot in motion. That will get all of our main players to Earth, including a now fully grown Broly and his father, where the action takes place.

snow clothes goku and vegeta

Goku and Vegeta showing off their trendy new winter duds.

To no one’s surprise, the majority of this film is action as the two heroic saiyans take on Broly. Broly is depicted as actually kind-natured this time around, but his power drives him mad. It’s a subtle change from the previous version we’ve seen, but it’s handled far better and this character actually has meaning. He’s a sympathetic character, much more so than before, and one the audience isn’t necessarily instructed to root against. His design is only a little different from his old one, but he has a slightly more refined look. There’s some grit there as well and he actually looks like someone who has lived his whole life in exile. He’ll find some sympathetic characters which help add to his story, and overall I think he’s a fine addition to the cast this time.

dbs god vegeta

Vegeta demonstrating his mastery of the Super Saiyan God form.

The action is the main attraction, and after the slow-paced opening I am happy to report that no action was spared as a result. This is a meaty film, and by its end you may even start to feel exhausted. It keeps upping the visual ante along the way though, so it never gets boring. New tricks are unleashed, some more abstract than others. My favorite was a first-person camera in the middle of the fight that really pulled me in. It sounds like a gimmick, but it worked really well to see the lightning-quick action unfold from such a perspective. It was also tastefully utilized, so it didn’t overstay its welcome. There’s plenty of big spots, and also some rather brutal ones. Nothing is gratuitous though, and overall if you’re a fan of action this is one satisfying and spectacular film. There is also less emphasis on fan-service this time around when compared with the last two films. There’s no effort to get all of the old gang back together and the cast is actually fairly trim. This one simply has a story to tell and a battle to feature.

dbs goku blue

The film is visually stunning, but there are moments where I felt like I was watching a cut scene from Dragon Ball FighterZ.

The film is still mostly done in 2D with digital hand-drawn animation, the design of which was handled by Naohiro Shintani instead of Tadayoshi Yamamuro who has done virtually all of Dragon Ball previously so all of the characters have a slightly altered look to them, though I wouldn’t go so far as to say they appear off-model. Those hand-drawn parts are delicious for the eyes and Dragon Ball has never looked better. The movements of the characters are so fluid and sharp, and the slightly muted color palette is reminiscent of the manga more so than the actual anime. Vegeta’s battle suit, in particular, uses a more navy color than a bright blue and Goku’s orange gi is just slightly pale. This being Dragon Ball, there’s also lots of bright greens and blacks and some cute character designs amongst the villains. There are instances of obvious CG, most noticeably when space ships are shown. It’s also still used in battles, but it’s less of a distraction than in past films. There are still times though when I felt like I was viewing a cut scene from a video game as opposed to an anime. I wouldn’t go so far as to say those moments were jarring, but the hand-drawn stuff is just so flawless that I wish they just tried to stick with that as much as possible.

broly vegeta snow

Arctic settings are among my favorites in Dragon Ball. The brightly colored characters just look great against a cool backdrop.

The music composed by Norihito Sumitomo is also quite bombastic and in-time with the visuals. Some of the main themes, in particular Broly’s and a character I won’t mention by name as it would constitute a spoiler, include a chant in the song where the name of the character is spoken. It further adds to the fighting video game feel of some of the visuals and I’d consider it ludicrous if this were any other property save for maybe Mortal Kombat. It manages to add to the spectacle of everything. Also, some old favorites return though it’s worth mentioning this movie doesn’t feature an opening credits scene like the old ones. I kept waiting for it to pop-in, until I realized it wasn’t coming. It’s probably for the best, though I did kind of miss it.

dbs full power broly

If you’re looking for some of the old Broly you know (and love?) you’ll get that here as well.

Ultimately, I was left feeling like seeing Dragon Ball Super: Broly on the big screen was very much a worthwhile experience. This film was designed for that setting, and I really enjoyed my time with it. I was surprised to find it actually showing at quite a few theaters in my area, and further surprised to find many shows sold out. Thankfully, I was planning on seeing this alone as I couldn’t find two seats side-by-side anywhere. The machinations of the plot are pretty contained so if you haven’t bothered to watch Dragon Ball Super you shouldn’t have too much trouble getting into this and and figuring out what’s going on, so don’t let that be an obstacle. If you ever cared about Dragon Ball, then you owe it to yourself to catch it on the big screen.

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Dragon Ball Z: Wrath of the Dragon

wrath of the dragonJapanese Title:  Dragon Fist Explosion!! If Goku Can’t Do It, Who Will?

Original Release Date:  July 15, 1995

English Release:  September 12, 2006

Directed by:  Mitsuo Hashimoto

Screenplay by:  Takao Koyama

Running Time:  52 minutes

 

We’ve finally reached the thirteenth and final film in the main Dragon Ball Z film-verse:  Wrath of the Dragon. Like our last film, Fusion Reborn, we get a title that’s at least slightly ambiguous and not just the name of the film’s villain. And unlike most of the movies, this one could actually take place during the timeline of the anime since it takes place after the events of the Buu Saga (though don’t confuse that statement for canon, since Dragon Ball Super ignores the events of this movie as it does basically all of the others). As a last hurrah, Toei produced a movie that’s very different in tone from the other 12 features. Even though the running time makes it pretty typical of the other films, it moves a lot slower with the emphasis of the film’s plot resting squarely on something seldom seen in DBZ movies:  character development. Rather than simply have some super-powered villain show up and challenge Goku, the film focuses on a new character, Tapion, and the fascination an existing character, Trunks, has with him.

The film opens with a young boy (Aaron Dismuke) in a frantic state. He’s on a darkened planet and armed with a sword. He has pointed years and a mohawk-like hairstyle and probably is not of Earth. He appears to be searching for an unseen danger, when from behind a giant foot emerges and apparently squashes the poor boy. An unsettling laugh is then heard.

Saiyamen

The heroes we need.

On Earth, the Great Saiyaman is out keeping the residents of one of Earth’s many cities safe. And he’s no longer a solo act. Great Saiyaman II, or Great Saiyawoman, is by his side in a similar costume to Saiyaman’s original look (as opposed to the bandana and sunglasses disguise) and they’re fouling a robbery. There’s some fun, atypical action in this piece as Gohan (Kyle Hebert) and Videl (Kara Edwards) play super hero, but a shadowy figure is watching and it’s pretty clear he’s going to play some sort of role in this story – and soon. At school, Gohan and Videl are a bit tired from their exploits, and also late for class. After just arriving in his class, Gohan is again summoned by city officials to prevent an old man from committing suicide. He has to excuse himself, much to the shock of his professor, once more to go deal with the situation.

saiyaman saves hoi

Not everything they do is battle tough space villains.

Gohan and Videl arrive in costume to see the old man dangling from a ledge. Gohan springs into action and rescues the little old man, who introduces himself as Hoi (Troy Baker). The cloaked, possibly alien, character is the same who had been spying on the two earlier. He tells the two about a legendary hero named Tapion (Jason Liebrecht) who has been sealed away in a music box that Hoi just so happens to have in his possession. He warns Gohan that the Earth will soon have need of this Tapion, and that they need to free him from the music box in order to secure his aid. Videl seems suspicious of the old man, who really looks the part of a villain, but Gohan falls for it – he is his father’s son, after all. Unfortunately, even Gohan’s mighty strength can’t turn the crank on the music box and they’re forced to go elsewhere for help.

hoi

That is a face that can be trusted.

Hoi encourages them to utilize the power of the Dragon Balls to free Tapion, so Gohan takes the box to Bulma’s (Tiffany Volmer). Goku (Sean Schemmel), Goten (Edwards), and Trunks (Laura Bailey) are there as well and even Goku can’t get the music box handle to budge. He’s game though for a Dragon Ball hunt, and the group does just that summoning Shenron (Christopher Sabat) in short order. He’s more than capable of freeing Tapion from the music box, but once released they soon find out that Tapion did not wish to be free.

tapion

The Legendary Hero Tapion.

Tapion, a warrior who looks much like the child from the beginning of the film only an adult, is angered to see Hoi and dismayed to see the music box shattered as a result of Shenron freeing him. Hoi flees, and Tapion is left with the others. Trunks takes an almost immediate interest in the strange, sword-wielding warrior from another world, only Tapion is not interested in idle chit-chat. He too retreats to a remote area near Capsule Corp in what looks to be an abandoned hangar of some kind. Trunks and Goten try and visit him, often with food, but Tapion refuses to engage the children at all.

trunks and goten

Even though he’s kind of a jerk, Trunks and Goten think Tapion is pretty cool.

It’s clear at this point that Tapion was sealed away for a reason, and that becomes even more clear when a strange Kaiju-like monster appears in nearby West City. Gohan and Videl confront the being, and are shocked to see it’s basically just a pair of massive, bug-like legs with no torso or upper body to speak of. They’re unable to do much of anything to the creature, but Tapion appears. Armed with an ocarina, he plays a haunting melody on the instrument which causes the monster to vanish. Gohan and Videl are both astonished and more than a little confused to see Tapion is connected to this monster in some form.

Tapion_and_minotia

Tapion and his little brother say good bye.

Back at Tapion’s hideout, Trunks once again attempts to bond with the sullen warrior and is again rebuffed. Hoi shows up though and attempts to steal Tapion’s ocarina when he briefly slips into sleep. Trunks is able to get the ocarina from him, and when Hoi attempts to coerce Trunks into giving it back to him, he instead returns it to Tapion. Hoi flees, but after the gesture Tapion is suddenly interested in conversing with the young Saiyan. It’s clear that Trunks is simply seeking out an older brother figure, likely a little jealous of what his good friend Goten has with Gohan, and he’s overjoyed that Tapion is finally speaking with him. He’s able to convince Tapion to join him at his home, and the warrior finally relents.

Tapion_and_bulma

Bulma just making sure this guy who has taken a liking to her kid checks out.

At Capsule Corp, Tapion visits with Trunks and puts him to bed. Following that, he encounters Bulma in the hallway and she invites him to sit down for a talk, since she knows her son has taken quite a liking to the hero. It’s at the dinner table that Tapion tells his story to Bulma. The monster Gohan confronted is named Hirudegarn (Robert McCollum). Long ago on Tapion’s homeworld, he and his people were able to defeat Hirudegarn following his creaton by a group of evil black magicians. Hirudegarn could not be destroyed though, so following his defeat his essence was split in two by a powerful sword with one half being sealed away inside Tapion and the other in his younger brother, Minotia. To prevent the monster from re-appearing, Tapion and Minotia were locked away inside the magic music boxes never to be awakened and jettisoned to opposite ends of the galaxy. The lower half of the monster was sealed inside Minotia, and with that appearing in West City Tapion fears his brother is no more. The upper half of the being is inside Tapion, and he can’t afford to fall asleep or lose his magical ocarina and sword or else the upper half of the beast could escape. After hearing all of this, Bulma decides to create a special room based on the design of Tapion’s music box in hopes that it can accomplish the same goal and allow the poor guy to finally get some sleep.

Hirudegarn_better

Look who got put back together.

As Hirudegarn’s lower half reappears, Tapion attempts to sleep inside the chamber Bulma was able to create (very quickly). Nightmares overwhelm him though which result in him accidentally destroyed the chamber. Goku and the others arrive the next morning and are checking out the damage, when Tapion reappears with a request. He wants them to kill him, hoping that by doing so the half of Hirudegarn inside of him will die too. The others are understandably reluctant to do so, but before Tapion can convince him Hirudegarn and Hoi show up. Tapion is unable to play the melody that controls Hirudegarn in time and the presence of the monster’s lower half causes the release of the upper half from Tapion’s body. Now fully formed, Hirudegarn is a true monstrosity.

vegeta vs hiru

Vegeta gettin in his one shot.

Even though he’s massive and not particularly fast, Goku, Goten, and Gohan are unable to land any substantial blows on Hirudegarn due to his ability to teleport. The battle all but ruins Bulma’s home as the battle spills into the city. When it looks like the monster is about to squeeze the life out of Gohan, Vegeta finally makes his first appearance of the film to save the day. He’s a little irritated at losing his house to the monster and lets him know, but he’s unable to really do anything about it. Hirudegarn knocks him into an office building and unleashes a massive blast in Vegeta’s direction. Vegeta is forced to expend all of his energy corralling the blast with a barrier to spare the inhabitants of the building. Exhausted, he collapses, and as quickly as he entered the picture he has now departed.

bug hirudegarn

Meet the new Hirudegarn, better than the old?

Seeing the others having no success against Hirudegarn, Trunks and Goten decide to fuse and unleash Super Saiyan 3 Gotenks. The cocky fused persona of the two Saiyan children has some nifty attacks, and for a moment it looks like Hirudegarn has been defeated. Since this is a Dragon Ball Z movie though, we know the villain most likely still has a trump card to play. His body hardens and cracks and soon the outer carapace shatters. Like a butterfly emerging from a cocoon, a new version of Hirudegarn emerges. Only unlike a butterfly, this thing is quite ugly and terrifying to look at (though arguably not as scary as the first form with its skull-like head). He thrashes Gotenks, causing the being to split back into Trunks and Goten. Gohan and Videl are soon taken out, and it comes down to Goku.

DBZ Wrath of the Dragon Tapion

Don’t ask a kid to kill you, man, just do it yourself.

As even Goku finds it hard to keep up with Hirudegarn, Tapion emerges. He plays his ocarina and the melody causes Hirudegarn to once more become sealed inside of him. With the beast now gone, Tapion turns to Trunks and begs him to use his magic sword to kill him. Trunks is taken aback by the request and struggles to come to terms with it. Tapion pleads with him, and when it starts to look like Trunks just might do it, Hirudegarn breaks free. Worse, the ocarina is destroyed in the process and Hoi emerges once again. He taunts Tapion for his failure to contain the beast, but his victory is short-lived as Hirudegarn crushes him thus at least destroying the last of the evil wizards who helped create him.

dragon fist

That’s one way to kill a giant bug.

With the ocarina now gone, the only thing left is to confront Hirudegarn with raw power. Goku powers up to his Super Saiyan 3 form and begins to battle it out with the monster. Trunks, not content to sit on the sidelines, charges in with Tapion’s blade and manages to slice off the tail of Hirudegarn. Goku orders Trunks to stand down as he prepares to unleash his latest technique. With an uppercut pose and a mighty yell, Goku unleashes his Super Dragon Fist which causes a golden Shenron to form around him. The dragon unloads on Hirudegarn wrapping around him, constricting him and ultimately exploding as Goku is left in a dramatic “shoryuken” pose.

goku pose

Nothing like a good victory pose.

With the monster finally defeated, all that’s left is for Tapion to go home. An unspecified amount of time passes, and Tapion is set to leave in Bulma’s time machine. It looks identical to the one Future Trunks used in the main series, and it’s assumed I suppose that Tapion is going to search for his little brother. Before he can leave though, he has to say goodbye to his surrogate little brother, Trunks. The young Saiyan is sad to see the hero leave, but he’s given Tapion’s sword as a parting gift. As the credits role, clips and images of Trunks, including Future Trunks armed with a similar sword, are shown with the obvious implication being this is how Trunks came to be a swordsman.

tapion goodbye

Time to say good bye. What’s that wink imply, Bulma?

Wrath of the Dragon Fist is an interesting Dragon Ball Z movie by itself, but also kind of an odd way to say good-bye to the series. With it being the last, it’s somewhat surprising that there isn’t more emphasis on getting the whole gang together, but aside from a cook-out scene early in the film, most of the regulars are no-shows. The defeat of Hirudegarn is a neat visual spectacle, but also really weird since we’ve never seen Goku do anything even remotely like that before. It’s kind of equally weird that it’s Goku at all who takes down the monster since he plays such a minor role in the film. It would have been better to just go all-in on the Trunks theme and have him take out Hirudegarn, but at least he got to cut off the beast’s tail. I guess they just wanted to give Goku a win in his Super Saiyan 3 form since that power-up has so few of them.

trunks with sword

Trunks gets a pretty swell parting gift. That thing is as big as him.

Rather than focus on a big ensemble story or another Goku piece, Toei and screen-writer Takao Koyama (who authored every one of these movies) decided to do a deep dive into Trunks and try and unite this version of the character with the Future Trunks we had seen earlier in the Androids Saga. It’s a solid premise for a movie and it’s nice to see a film choose to focus on exploring a character as opposed to just creating some big, bad, villain of the week. Trunks and his desire to form a bond with someone is easy to understand. He’s an only child and probably home-schooled. He’s had an absentee father for most of his childhood, and his only friend is a country boy named Goten who comes from a family in which he’s the little brother to Gohan. Trunks just wants a brother of his own, and maybe since Vegeta was such a crummy dad, he also seeks a role model too. His scenes with Tapion are cute, and it’s heart-breaking to see Trunks’ reaction to Tapion requesting he kill him. Thankfully, he didn’t have to go through with it as that would have been one Hell of a damaging episode for the poor kid.

tapion flute

Tapion proves to be a rather fine addition to the ensemble.

As far as our newcomer is concerned, Tapion is handled quite well. He has a simple, easy to understand back story that makes him a sympathetic figure. He projects a mysterious aura and also possesses a unique look for the series. Some probably look at an elf-like, sword wielding, ocarina playing, hero and think Link from The Legend of Zelda, but this movie predates Ocarina of Time and Tapion doesn’t look that close to the Link that existed prior to that. Since they do look so similar it’s possible they share a common source of inspiration, but what that may be I’m not certain. Hoi and his evil wizards (who are all dead) is kind of lame. He’s a blatantly obvious villain so it’s kind of frustrating to see him scheme his way to releasing Tapion, but the movie would be rather boring if he wasn’t successful. The only motivation he’s given is that he and the other wizards are genocidal monsters that want to destroy anything that isn’t them. Hirudegarn himself is just a mindless monster. Even though he’s as one-dimensional as it gets, he still manages to be interesting since we haven’t seen Goku and company take on such a massive enemy in a long time. It’s kind of like “What if Goku took on Godzilla?”

vegeta wrath of dragon

There apparently wasn’t enough room for Vegeta in this one.

My one major piece of lingering criticism of Wrath of the Dragon rests with its use of Vegeta. Perhaps because Fusion Reborn spent so much time with he and Goku exploring their relationship and rivalry, Koyama decided to avoid the Saiyan Prince here. I would have liked to see more of him though since so much of the movie takes place at his house. It’s just weird for him to not be seen until he makes his dramatic entrance. This was also the first chance to pair up Trunks and Vegeta in a movie, and since this follows Vegeta’s change of heart following the events of the Buu Saga, it would have been interesting to see how their relationship has changed. Come Dragon Ball Super, Vegeta is basically back to his prickly self, but it would have been interesting to juxtapose he and Tapion. Would it have made the film better if we saw a jealous Vegeta who feels threatened by Tapion’s presence? Perhaps, and perhaps not. It just feels like the movie had room to do something with Vegeta, and instead it reduced him to a cameo.

kid trunks and tapion

There’s a sweetness to be found in this one seldom seen in DBZ movies.

Aside from that piece of criticism, I really have nothing else to say about the movie that would be considered bad. Wrath of the Dragon is very different for a Dragon Ball Z movie. It’s a little light on action and humor and instead more procedural. It relishes in the quiet moments shared mostly between Trunks and Tapion, but also some other small scenes as well. Its emphasis on story and character make it a more rewarding and less disposable experience. We all like our flash and pizazz when it comes to Dragon Ball Z, but it’s nice to see one of the movies treat these characters more as actual characters as opposed to characters from a fighting video game. It’s because of that I feel Wrath of the Dragon is one of the best movies to come from Dragon Ball Z. It can still impress you with its excellent visuals and make you laugh at a few moments, and it may even make you tear-up a little. It’s so interesting from a narrative standpoint that I didn’t even expound on how wonderful the film looks. This is one of the best looking things the series has ever produced. Dragon Ball Z picked a great way to bow out, and it’s nice to know over 20 years later that it wouldn’t be the end for these characters as we knew them.


Dragon Ball Z: Broly – Second Coming

190px-DBZ_THE_MOVIE_NO._10Japanese Title:  The Dangerous Duo! Super Warriors Never Rest

Original Release Date:  March 12, 1994

English Release:  April 5, 2005

Directed by:  Shigeyasu Yamauchi

Screenplay by:  Takao Koyama

Running Time:  52 minutes

With Broly being an overnight sensation following his debut film, it was no surprise to see him turn up again. The problem with Broly though is that he’s all style and no substance. He’s motivated by his mostly irrational hatred of the one he calls Kakarot, whom we all affectionately refer to as Goku. He barely speaks and is essentially raw power unrestrained. Making things harder on him for his return engagement is that Goku is dead, so his boys are left to pick up the slack. Unsurprisingly, this makes Broly – Second Coming the first DBZ movie to not star Goku in some capacity. He may have been dead in our last film, but he still had a pretty commanding presence over the film. He makes an appearance in this one, but it’s definitely understated compared with the prior movie. This is also the first movie to not feature Piccolo, though there’s a joke at his expense in it. Another surprising stalwart of the movies, Oolong, won’t cameo either. And after appearing in the last four features, Vegeta will be a surprising omission here. It’s always tough to figure out when these movies are supposed to take place so it’s possible Vegeta is dead. Really, this movie and the next features a really small cast of characters and it’s anchored by the debut of Goten and Young Trunks. Lastly, it’s also the first to feature Dragon Ball Z‘s second theme song over the opening credits, the underwhelming “We Gotta Power.” We’ll miss you, “Cha-la…”

Broly-Second-Coming

A dying Broly crash lands on Earth. That’s some sense of direction.

The movie opens on an old but familiar sight – a Saiyan Space Pod zooming towards Earth. It smashes into the planet’s surface and from it emerges Broly (Vic Mignogna). Having apparently escaped the destruction of New Vegeta in just the nick of time, he’s in bad shape and the wound left by Goku is still open. He soon powers down from his Super Saiyan form and collapses into the snow, ice forming over him. He’ll lay there for seven years, and of course he’s just bound to wake up all kinds of pissed off.

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Kid Trunks, Videl, and Goten make their film debuts.

Videl (Kara Edwards), Goten (Edwards), and Trunks (Laura Bailey) are out hunting Dragon Balls. Videl is sporting her short-haired look so this movie takes place after her training with Gohan, meaning she can fly and fight a little. She apparently asked Goten and Trunks to tag along to aid in her search for the Dragon Balls since Trunks’ mother Bulma possesses the Dragon Radar. Trunks and Goten are a handful given that they’re just kids, and they’ll test the patience of Videl and also likely force her to question why she brought them along in the first place when all she desires is to just see the Eternal Dragon, Shenron.

Their search leads them to a small village in the mountains – Nataday. The villagers there are preparing for a sacrifice, a young girl is to be offered to some monster in order to spare their village destruction and misfortune. The sacrifice is the brainchild of the village shaman, Maloja (Robert McCollum) and Videl is disgusted by the whole thing. Other villagers share her views, and Trunks offers to take care of this supposed monster for them.

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The village shaman Miloja – he’s a dick.

Videl, Trunks, and Goten all hide in a nearby altar and wait for the monster to show. There’s an offering of food for the beast, and Trunks swipes some which just makes Goten jealous. Video instructs him to keep quiet and stay put, but when goes for an apple she slaps him in response causing Goten to cry. Goten is apparently an impressive cryer, for his howls reach Broly himself. Baring a remarkable similarity to the cries of his infant father, they’re enough to agitate and awaken Broly from his long slumber. In case you have forgotten, Broly is driven by his hatred for Goku whom cried a lot when he was an infant, and it bothered the infant Broly enough to scar him as an adult.

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They’re quite good at irritating Videl.

Videl, feeling bad for making Goten cry, apologizes and swipes a dumpling for him. Trunks laughs and lets her know she’s been conned by the diminutive Saiyan, which just makes her more frustrated and annoyed by the whole situation. Soon the monster shows itself to be a mere dinosaur (in case you forgot, dinosaurs exist in this world) and Trunks and Goten are unimpressed. They toy with the beast a little, before eventually returning to the village with its carcass. The villagers are overjoyed to see the beast has been slain, all except Maloja who is banished by the elders for his sacrificial methods. With that out of the way, the heroes are able to resume their Dragon Ball hunt.

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Broly has awakened!

The trio calls it a night, but a loud sound wakes Videl early in the morning. That sound is Broly, emerging from his ice prison and powering up to his Super Saiyan, but not his Legendary, form. Videl finds and confronts him and, not knowing who he is, tries to attack. Broly is far too powerful for her to handle though. Goten and Trunks soon awaken to the sounds of the fight and they rush to see what’s going on. They have no idea who Broly is, but Broly sees Goten and immediately is sent into a rage due to the child’s resemblance to his father, Goku. Broly is easily able to knock the two boys around, but during the fight they’re able to spot the last Dragon Ball. Trunks devises a plan where Goten is to retrieve the Dragon Ball while he distracts Broly. This is where the movie takes a silly turn as Trunks moons the Saiyan warrior while Goten also pauses to take a pee.

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When ya gotta go…

Goten is successful in retrieving the ball, but soon loses it amongst a bunch of crystal balls. Trunks is dismayed by his friend’s clumsiness, especially because he too really has to pee. He manages to avoid most of Broly’s most damaging moves, but eventually ends up in the arms of the monster when his bladder gives out. Goten does however manage to gather all of the Dragon Balls and he takes them behind a waterfall where he can safely summon the Eternal Dragon Shenron. Unfortunately, Goten realizes he doesn’t actually know how to summon the dragon and sits there perplexed. Trunks manages to retreat behind the waterfall too and doesn’t know how to summon the dragon either. They’re forced to confront Broly, who whips them around pretty well until their savior arrives in the form of Gohan (Kyle Hebert).

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Don’t worry kid, I got this.

Gohan had sensed the fighting, and unlike the other three, he’s faced Broly before and knows what he’s up against. Gohan is definitely stronger than he was when he faced Broly the first time, but he might not even be as strong as he was when he defeated Cell since this is Buu Saga Gohan before his training with the Elder Kai. He’s still able to power-up to Super Saiyan 2, but all that does is force Broly into his more monstrous Legendary Super Saiyan form. Broly is able to physically dominate Gohan in this form, but the resourceful Saiyan is able to break free of Broly’s hold and lure him into a nearby volcano where the lava engulfs Broly. Gohan collapses on a nearby rock as the lava inches closer to him. A caped warrior swoops in though to rescue him. Piccolo? No, it’s Krillin (Sonny Strait) dressed in Piccolo’s attire for some reason. I can only assume this is a metta joke for the audience since Piccolo often drops in unannounced to rescue Gohan in virtually every movie.

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Not what anyone was expecting…

The two share a nice moment, and then Broly returns. You didn’t really think lava could kill him, right? He’s surrounded himself with an energy shield and quickly takes out Krillin. Gohan is too weak and exhausted to offer much resistance, and Broly begins to torture him. He’s very much enjoying himself, until Videl tosses a rock at him. It doesn’t hurt him, but it does distract him and he turns to look as Videl collapses, the effort of just throwing a rock seemingly exhausting what little energy she had left. The sight of her falling enrages Gohan enough to tap into his reserves, forcing himself from Broly’s hold. Announcing he’d had enough, Gohan powers up to Super Saiyan and unleashes a Kamehameha attack against Broly, who counters with a blast of his own. The force of the attack knocks Goten’s bag over and the Dragon Balls spill out awakening the young child. He transforms into his Super Saiyan form and joins his older brother in firing a Kamehameha at Broly. Together, the brothers appear to be holding their own, but it’s still not enough. Goten then silently makes a wish that their dad was there with them.

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Broly has an answer for Gohan’s attack.

The Dragon Balls, apparently hearing Goten’s silent plea, flash and the skies darken. No dragon appears, but Goku does! He encourages his sons and powers up to his Super Saiyan form and joins his Kamehameha blast with theirs. And yet it’s still not enough! Trunks awakens as well and sends a last ditch effort Broly’s way. His blast is enough to sneak in behind Broly’s and throw off the timing of his own ki blast. Goku sees this, and implores his boys to give it their all. Their combined might overwhelms Broly, who cries out in pain as he’s blasted from the Earth and into the sun, seemingly gone for good (yeah, right),

Goku vanishes as quickly as he appeared, and Goten and Gohan are left to wonder if he was really ever there. The Dragon Balls seem to confirm that he was, as they’ve turned to stone and rocketed away. Videl awakens and admonishes Gohan for taking so long to get there, while Trunks remarks he wants a snack. They all set off for wherever, while poor Krillin remains where he was following Broly’s attack wondering if they’ve forgotten about him.

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The lasting image from this movie is at least a good one.

Broly – Second Coming, unlike the first film to feature Broly, is almost entirely reliant upon comedy for its entertainment value. There’s the little setup with the village before the main event, but the movie is fairly straight-forward in its execution like many DBZ films before it. I did appreciate the little bit of adventuring we saw early, and the visual of Goku joining his sons for a triple attack is surprisingly emotional, but the movie earns very little of the payoffs it tries to cash-in. Broly is even more one-dimensional than before, and he’s little more than a video game boss character. The repeated near-saves have become a trope, though at least the movie seems to poke fun at that with the Krillen rescue effort. The juvenile nature of the humor involving Goten and Trunks is sometimes charming, sometimes humorous, but hard to sustain a picture with. The arrival of Goku breaks all of the rules of the Dragon Balls, as Shenron isn’t properly summoned, never even appears, and also disappears after only fulfilling one wish. As much as I like the image of all three combining for an attack, it would have probably been better to just leave Goku out of this one. With him dead, it could have been an opportune time to have Piccolo stand-in considering he’s been a second father to Gohan, or even a more mature Vegeta finally stepping in and embracing his role as a father-figure for the younger Saiyans.

Adding to the tonal problems is a rather bland presentation. The backgrounds are kind of typical DBZ and don’t really offer up much. The visuals are more in-line with the main series as well and do not have that extra special ingredient that most of the films have. Maybe Toei knew this one wasn’t going to be as good as the others because of the lack of Goku and just didn’t sink as much money into the production as they normally would. It all adds up to a very subpar experience, and Broly – Second Coming just may be the worst of all of the Dragon Ball Z films. It has some inherent entertainment value, so I would still say watch it if you have never seen it, but it’s one you’ll only revisit out of a feeling of obligation or when you’re just sick of watching the other, better, films.


Dragon Ball Z: Bojack Unbound

DBZ_THE_MOVIE_NO._9_(wiki)Japanese Title:  The Galaxy’s at the Brink!! The Super Incredible Guy

Original Release Date:  July 10, 1993

English Release Date:  August 17, 2004

Directed by:  Yoshihiro Ueda

Screenplay by:  Takao Koyama

Running time:  51 minutes

Dragon Ball Z:  Bojack Unbound is the rare DBZ movie that actually could be considered canon, should someone want to. Like most, the stakes and impact of the film are basically nil in the grand scheme of things, but it takes place during the period following the Cell Saga but before the Buu Saga that the manga and anime both skip over. This movie is also the last to use the classic opening theme song of “CHA-LA HEAD-CHA-LA” and also the last to feature an appearance from Future Trunks (Eric Vale). It is the first to feature the bumbling World Martial Arts Champion Mr. Satan (Chris Rager), who plays a role in the film’s plot. And it’s also the first to feature a dead Goku (Sean Schemmel), which doesn’t seem that weird for DBZ, but it’s a pretty odd concept nonetheless. With Goku only playing a minor role, this is essentially Gohan’s (Stephanie Nadolny, making her last appearance as the voice of Gohan) chance to assume the starring role for a change.

Bojack Unbound essentially takes place in one location. A martial arts tournament is being thrown by a mega wealthy individual who is basically just trying to please his young son. To make things more interesting, his son requests that the tournament feature alien warriors from another planet, and his dad promises to make it happen. And waiting at the end of the tournament for whoever can topple the aliens will be the champion himself – Mr. Satan.

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Bojack – the villain of the day.

This tournament has attracted a lot of media attention, and with a large purse as reward, a great many warriors have turned up for it including most of our favorite characters and Yamcha (Christopher Sabat). The tournament differs from the ones we saw in Dragon Ball. It’s a multi-tiered, open-air arena where the goal is to either incapacitate your opponent or knock them into the water. Water you say? That’s because the whole thing is on a man-made, movable island. It’s a pretty neat design and basically every background in this movie is quite unique in relation to what we’re accustomed to seeing. The tournament opens with a massive melee. Gohan (dressed in his father’s gi), Trunks (sporting his long hair and blue jacket but the sleeves have been cut off), Piccolo (Sabat), Krillin (Sonny Strait), and Tien (John Burgmeier) all advance out of the melee along with some no-names to the second round. Bulma (with baby Trunks) and Chi-Chi (Cynthia Cranz) watch from the stands while Oolong (Brad Jackson) and Master Roshi (Mike McFarland) scope out the babes around the area. Goku and King Kai (Schemmel), along with Bubbles and Gregory, are watching via broadcast TV from beneath Snake Way since King Kai’s planet was blown up by Goku during the events of the anime.

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Tien gives Trunks a match, but in the end he falls as expected.

Notably missing from the action is Vegeta (Sabat). We learn via conversation between Bulma (Tiffany Vollmer) and Chi-Chi that Vegeta has lost his fighting spirit since the death of Goku. He’s shown briefly watching the broadcast of the fight on television before turning it off in disgust. Trunks’ sword is in the foreground of the shot and Vegeta is strangely laying on a bed wearing his full armor. It’s a pretty interesting way to approach Vegeta. He has never had warm feelings for Goku, but Goku did represent a rival for him and his constant superiority over Vegeta was a prime motivating factor for Vegeta in his training. Seeing Goku’s son Gohan surpass him during the fight with Cell probably damaged his ego, and add that in with Goku’s death and you’re left with a Vegeta suffering from depression.

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Making his film debut, the incomparable Mr. Satan!

The tournament moves onto one on one battles and by now Mr. Satan has taken note of who’s participating. He immediately starts feigning a stomach ache to hopefully get out of any obligation to fight since he knows he can’t compete with the likes of Gohan and co. Meanwhile, Trunks and Tien get to have a match and it’s pretty entertaining. Tien gets to save some face by forcing Trunks to go super, but the outcome of the match is obviously never in doubt. Krillin has to face Piccolo, and while he stands there shivering bemoaning his poor luck, Piccolo shows disgust and decides to bail on the whole tournament deeming it not worth his time allowing Krillin to win by forfeit. I get that Piccolo wouldn’t have any interest in a monetary prize, but surely he would have relished the thought of having a real battle with either Trunks or Gohan so I don’t really get why he would bail like that. I guess I should just laugh like the movie wants me to and move on.

Gohan is matched-up with just some guy who he’s able to take out with ease, and the four semi-finalists move onto the next round. That’s where things get weird as the third round is apparently a race. Each contestant is put in some Tron-like rocket car that will jet them off to a new island where one of the four alien contestants that have been hyped are waiting. Whoever beats their opponent and gets to a certain spot the fastest wins and gets to move onto the final round with Mr. Satan.

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Krillin’s got a thing for redheads, it would seem.

Gohan, Krillin, and Trunks, along with another random guy, head off to meet their new opponents, only what they encounter is not what was expected. It would seem the alien warriors have been replaced, and Krillin encounters his one weakness. Well, actually Krillin has many weaknesses, but his biggest are the ladies. The mysterious Zangya (Colleen Clinkenbeard) appears before him and he’s pretty much too charmed to put up a fight and she takes him out easily. Trunks is matched off with the sword-wielding Kogu (Ethan Rains), who appears to be a worthy adversary, but has to power-up into this green-skinned super state to bring out Trunks’ true power. Trunks eventually seizes the upper hand, and punches a hole right through Kogu, but is immediately assailed from behind after the fact. Gohan is left to face the diminutive Bujin (Christopher Bevins), but soon is forced into fighting all of the victors of the other bouts, which also include Bido (Robert McCollum) who took out the random fighter who joined the three.

It’s at this point that Bojack (Bob Carter) shows himself. He’s the leader of this gang of djinn-like fiends and he offers no explanation for why they’re there. King Kai is able to fill-in Goku on just who this guy is. Apparently he’s just some asshole who loves genocide that King Kai and the other Kais were able to seal away long ago. When King Kai’s home world was blown up by Goku, the seal was broken and Bojack became unbound. King Kai just sort of forgot about this guy until now. He stresses that Gohan and the Earth is in a lot of danger, but Goku isn’t too concerned.

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Here comes Vegeta!

At least he isn’t at first. Gohan more than holds his own against the lot of Bojack’s men, though they soon demonstrate this technique that’s similar to spider webs that can hold people in place and drain their energy. When Gohan gets into some trouble, Piccolo makes the save as he does in basically every movie. Trunks re-enters the fight and when it looks like he’s about to bite the dust Vegeta is there to provide the assist (with Trunks’ sword, no less). Vegeta tries to take on Bojack himself, but he’s no match for him once he powers-up into his green-skinned form. Trunks tries to help him out, but Vegeta is not too receptive which only really leads to the two of them eventually unconscious.

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Good talk, Dad.

It basically comes down to Gohan, and as a Super Saiyan he’s able to stand his own but the numbers are against him. He gets caught in that web stuff, but Mr. Satan (who was basically forced into one of those rocket cars) crashes into the scene and makes the save inadvertently. He also takes out the cameras, so suddenly the audience has no idea what’s going on. Bojack gets ahold of Gohan though, and it starts to look bad for the young warrior. Goku can’t take it, and he uses his instant transmission technique to warp in and punch Bojack in the face. He gives Gohan a quick pep talk, before he has to bail, but it’s enough to convince Gohan to unlock his true power and go Super Saiyan 2.

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Even when dead, Goku can still make the save.

Now fully powered-up, Bojack’s minions stand no chance. Gohan literally punches one guy in half and kicks another in two. When Zangya is in his crosshairs, the fine folks at Toei wisely made the call to not have their hero butcher a woman and instead Bojack uses her as a shield and fires a massive blast at Gohan from behind which kills her in the process. It does nothing to phase Gohan and it soon becomes apparent that Bojack is no match for Gohan in this form. He dispatches him with ease while Goku and King Kai look on (apparently their Other World television set is not reliant on cameras).

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Now he’s serious.

The film ends with Gohan, Trunks, and Krillin in hospital beds (must be a senzu bean shortage) yukking it up with the other characters. It’s revealed that Mr. Satan received all of the credit for killing Bojack and Oolong encourages Gohan to try and get a piece of the pie for himself. Piccolo and Vegeta, in a familiar nod to Super Android 13, quietly sit on the hospital roof away from the main throng of folks in silence as the picture comes to an end. During the credits, we’re treated to images of Gohan and his family from throughout the events of the anime which are rather sweet. It’s like a final farewell to the child version of Gohan and a surprising touch for a Dragon Ball Z film.

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When shit gets real, Bojack finds some cover in the form of his underling.

Bojack Unbound is a solid entry into the Dragon Ball Z film-verse. Actually, it’s more than solid as it might be my favorite thus far. It’s a tight, simple story, but the premise makes sense given the source material. Everyone is given a logical motivation for wanting to participate given the huge cash outlay, and the film even explains why Future Trunks is there and why Vegeta is not, and usually these films see no need to explain much of anything. The villain still shows up largely out of no where and with little reason. The film decides to just say “screw it” in giving Bojack any real goal and literally just decides he loves killing and genocide. I guess if you don’t want to have to bother with developing a villain just make him love genocide. Like a lot of the films before it, this one does mostly take a large arc from the anime (The Cell Games) and condenses it into a brisk film. We get a few shining moments from Trunks, a Vegeta cameo, Mr. Satan hijinks, and a Super Saiyan 2 transformation and subsequent domination by Gohan. The fighting prior to that transformation is fun and imaginative, so it doesn’t bother me so much that we have another movie where a hero powers-up and effortlessly disposes of the bad guy in the end. I was a bit surprised they didn’t go for another Father-Son Kamehameha, but not disappointed. Gohan does use his father’s most famous technique as part of the dismantling of Bojack, and he actually does it in a really bad ass way.

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Speaking of shit getting real…

Bojack Unbound is also possibly the best looking Dragon Ball Z movie so far. I was pretty impressed with Broly – The Legendary Super Saiyan, but this one ups the ante by having more diverse backgrounds and even unique character designs for our heroes. Gohan, for the first time since his early days in the anime, sports an orange gi just like his father. Toei didn’t have to do that, but given his dad has died, it makes sense why Gohan would want to wear that and honor his memory in a tournament. Trunks also gets a design unique to this movie and he looks pretty cool. I’m not a huge fan of his long-haired look, but he pulls it off with the sleeve-less jacket combo. Mr. Satan also gets some new duds and he’s pretty regal-looking as the World Champ. The villains also have a neat look as they’re all this blue-skinned djinn-like race of beings with orange hair. Series creator Akira Toriyama actually designed Bojack, though I’m not sure if he had a hand in designing the others. There isn’t much personality on display beyond cocky, evil people who like inflicting pain, but at least they mostly look cool. They remind me of Zelda’s Ganondorf, who was still a few years away from making his debut in Ocarina of Time.

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The ending credits feature some fairly adorable depictions of Gohan and his loved ones.

Bojack Unbound is a movie I had seen long ago as a fansub but remembered little of it beyond the unique character designs. I wasn’t that eager to revisit it, but I’m glad I did as this is my favorite DBZ movie so far. There’s still some nits to pick here and there. Bojack is just all style as a villain and Goku breaking the rules of the after-life to just pop-in is kind of dumb. I also wanted to get a little more out of Vegeta given the depressed state of mind he was in. That just seems like an interesting layer to add to the character and I’ve also been fascinated by the Vegeta/Trunks dynamic as well so more of that would have been appreciated. Coming in at 51 minutes though puts this one right in line with the other movies and it’s a solid running time for a DBZ feature. There isn’t enough plot to typically sustain these things past the one hour mark, though given the story-telling possibilities I mentioned in regards to Vegeta, maybe this one could have gone past that with some success. It’s still a tight story with plenty of action, a lot of humor from the supporting cast, and a mostly satisfying conclusion which is where so many of these films seem to stumble. If this ends up being my favorite of them all, then I’m fine with that.


Dragon Ball Z: Broly – The Legendary Super Saiyan

Dragon_Ball_Z_Broly_–_The_Legendary_Super_Saiyan_(Movie)Japanese Title:  Burn Up!! A Close Fight – A Violent Fight – A Super Fierce Fight

Original Release Date:  March 6, 1993

English Release:  August 26, 2003

Directed by:  Shigeyasu Yamauchi

Screenplay by:  Takao Koyama

Running Time:  72 minutes

If there is an MVP of the Dragon Ball Z movies then it might be Broly by default. Starring in a record three films, Broly is the most over-exposed of the movie villains. Thankfully, he doesn’t appear in three consecutive films and there’s a film in between this one and his second appearance as three in a row really would have felt like overkill. Probably owing to his exposure, Broly has become a some-what polarizing villain among DBZ fans. He’s very recognizable and his appearance is striking so he has a tendency to show up across all media related to the franchise. He’s featured prominently in video games, toys, and other merchandise though he’s been kept out of the main series as well as Dragon Ball GT (or at least he was, until it was announced in July that he’ll be the featured villain in the upcoming Dragon Ball Super movie due to hit theaters in Japan this December). His status as the Super Saiyan of Legend gives him instant credibility to go along with his menacing appearance. He’ll never be as overpowered as he is here, nor will he ever be as interesting, but for a first appearance this one is pretty good. This is also the longest DBZ film thus far and will remain so until Battle of Gods. Most of these movies are kept under an hour, but this one is over 70 minutes and it feels pretty long as a result. Is it too long? Maybe, but we’ll get to that.

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Master Roshi enjoying himself during a picnic.

The film opens with King Kai (Sean Schemmel) sensing the destruction of a planet in the south galaxy. It’s an ominous piece of foreshadowing and I think it’s safe to say we’ll unravel the mystery of who’s responsible in short order. He reaches out to Goku (Schemmel), who is preparing for a school interview with his wife Chi-Chi (Cynthia Cranz). Chi-Chi is trying to enroll Gohan (Stephanie Nadolny) in a fancy school and needs Goku to be on his best behavior during the interview process in order to get him in. Goku has been forced to put on a suit and is clearly out of his element as Chi-Chi coaches him on the right things to say. She’s more than a little annoyed when King Kai starts butting in to fill Goku in on what’s transpiring in space.

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Paragus, along with his son Broly, claim to be among the few remaining Saiyans to survive the destruction of their home world.

Elsewhere, the rest of the Z Warriors are enjoying a picnic. Master Roshi (Mike McFarland) is looking pretty toasted as he makes a fool of himself. A spaceship touches down and a Saiyan male named Paragus (Dameon Clarke) emerges and immediately swears fealty to Vegeta (Christopher Sabat) who apparently wears his battle armor when attending a picnic. Paragus claims to be one of the last remaining Saiyans and informs Vegeta that they’ve settled on a new planet Vegeta (not to be confused with our Saiyan prince), and he wants Vegeta to rule them. There’s also a problem as the Super Saiyan of Legend has emerged and is wreaking havoc across the galaxy. Paragus needs Vegeta to take care of him, and Vegeta is ready to go. Vegeta, surprisingly, buys the story hook, line, and sinker and doesn’t even question how Paragus could be alive. The others are skeptical, and Gohan, Trunks (Eric Vale), Krillin (Sonny Strait), Master Roshi, and Oolong (Bradford Jackson) decide to board the spaceship and tag along.

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The quiet and docile son of Paragus – Broly.

Paragus takes the group to New Vegeta, a ruinous planet where the others await. Paragus introduces his mostly mute son Broly (Vic Mignogna), and Vegeta decides to take Broly with him to look for the Legendary Super Saiyan as he’s grown annoyed by his own son, Trunks, who has voiced his doubts about Paragus. Broly is a tall, somewhat lanky, black-haired man with a  soft expression. Paragus seems to suggest he’s not very powerful, but we’ve seen the title of this movie and we know better. As Vegeta and Broly search for the Legendary Super Saiyan, Trunks, Gohan, and Krillin explore the rest of the planet. They soon encounter the other inhabitants of the planet, a cute, small, race of creatures who have been enslaved by the forces of Paragus. They’re horrified by what they see, and Gohan jumps in to fight the slave masters. During the fight, Goku arrives via his instant transmission technique as he’s interested in meeting this Legendary Super Saiyan.

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When Broly powers up his hair takes on a purple, and eventually a blue, hue.

Back at the palace, Vegeta and Broly return empty handed. Vegeta is a bit annoyed to see Goku, but it’s Broly who really seems agitated. He begins to grow angry at the sight of Goku, forcing Paragus to raise his hand upon which a golden gauntlet shines. It seems to react with a tiara that Broly wears and the boy is soon calmed while Goku is puzzled. That night, Goku is attacked in his sleep by Broly. The two trade blows until Paragus arrives, calming his son once again with the device on his hand. As he leads Broly away, Goku begins to suspect that it’s Broly who is the Legendary Super Saiyan.

Paragus returns to his room and questions if his mind control device is malfunctioning, or if Broly is just becoming too strong. We’re then shown the origins of the two. Broly and Goku were born on the same day and were placed beside each other in the nursery. It was obvious to all that Broly possessed incredible power from birth, but the constant crying of Goku beside him basically drove him mad. King Vegeta, fearing what Broly would become, ordered the execution of both him and Paragus, but Broly proved hard to kill. He saved his father, and the two were exiled following the destruction of the original  planet Vegeta. Paragus has been using his mind control device ever since to keep Broly’s power in check, as without, he becomes lost in his own power.

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The Legendary Super Saiyan revealed!

Goku confronts Paragus about Broly, while Vegeta has decided he’d rather just head back to Earth. Paragus denies the accusations, but eventually the slaves see Broly and confirm that he is indeed the Legendary Super Saiyan for he’s the own who destroyed their home planet. At the sight of Goku, Broly is unable to control his rage. He breaks free of the mind control device and his power is unleashed. He bulks up to an outlandish size as his hair takes on the traditional Super Saiyan look and his eyes go completely white. A green aura envelopes him, giving his hair a slightly different tint to what we’re accustomed to seeing from the other Super Saiyans, and the battle is on.

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Probably the film’s most famous shot.

Goku and Broly battle, but Goku is overmatched. Trunks and Gohan join the fray, but Vegeta is too paralyzed with fear to do the same. He’s spent a lifetime hearing about the Legendary Super Saiyan, and views him as unbeatable (why he was so eager to find him early in the film isn’t explained, maybe he just doubted that the being could possibly exist). Paragus sees this as an opportunity to taunt Vegeta and fill him in on he and Broly’s backstory. This is Paragus’s way to get revenge against Vegeta’s father for nearly killing he and his son years ago, and as icing on the cake he reveals that a comet is heading straight for New Vegeta and will destroy them all.

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Vegeta finally enters the fray, but is just as helpless as the others.

The other Saiyans are having no luck against Broly, until Piccolo (Sabat) shows up with some senzu beans. Adding Piccolo to the mix changes the outcome little, as Broly is still just too powerful. Piccolo realizes they’ll need Vegeta’s help if they’re to have any chance, and he basically shames the proud warrior into action, though he’s just as successful as the others. Paragus tries to escape in a Saiyan Space Pod, feeling it’s probably best to let the comet kill his son, but Broly catches him. He kills his father by throwing the pod into the incoming comet, and he’s now free to set his sights on the others.

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A powered-up Goku and Broly clash.

Goku realizes the only way to destroy Broly is for the others to lend him their power to concentrate it into a super attack. I suppose it’s the same concept as a spirit bomb, but instead it requires the others to just give them his power directly. They all do as requested, even though they’ve all been beaten to a pulp themselves, but Vegeta is the lone holdout. Goku still doesn’t have enough power, and eventually Vegeta relents. Bathed in a tremendous glow, Goku is finally able to go toe to toe with Broly. The fight is brief, and he concentrates his attack into a single punch aimed at Broly’s abdomen. It was there Broly was stabbed and left for dead as an infant, and the impact of Goku’s fist causes the old wound to reopen. Broly explodes, and the remaining warriors round up the slaves and pile into the spaceship Piccolo used to reach New Vegeta. They all escape before the comet’s arrival. Goku teleports he and Gohan home, where an angry Chi-Chi awaits. Goku is able to recite his scripted interview responses, causing Chi-Chi to faint and allowing our film to end on the usual humorous note.

Broly – The Legendary Super Saiyan makes good use of its long run time by bringing us along slowly. If not for the film’s title, the mystery of the Legendary Super Saiyan would probably be more satisfying, though it would probably still be fairly obvious that Broly is connected to the figure of legend. It’s an interesting setup though, and it’s different from what we’re used to as the heroes are whisked away to a new world and new location instead of having some alien invader come to Earth seeking Goku or whatever. I like the tragic backstory of Paragus and Broly, though the trauma inflicted upon Broly of a crying baby Goku is pretty stupid. I don’t know if Toriyama came up with that as it’s kind of in-line with his brand of humor, but it misses the mark. If they wanted a comical reason for Broly to hate Goku I feel like they could have come up with something better. If they wanted it to seem sincere, then they really missed the mark. The film also largely looks awesome, with some different backgrounds to take advantage. In particular, I really enjoyed setting of the picnic at the beginning of the movie with all of the cherry blossoms in the background. It would have been neat to see a fight unfold there.

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This movies takes an interesting look at Vegeta, that works in some ways and doesn’t in others.

The portrayal of Vegeta feels inconsistent and kind of off. Vegeta has always been the proud warrior, so it made sense to me why he would want to seek out the Legendary Super Saiyan. He welcomes a challenge, but he apparently also has respect for the myths and legends of his deceased people. He’s unusually quiet, and just goes along with Paragus, when I feel like he should have been more cocky and proclaimed himself the actual Legendary Super Saiyan. When Broly’s power is revealed, seeing him a puddle is really bizarre. I have no problem with exploring a different side of Vegeta, and in fact it’s something I really like about our next movie, but I think they took it too far and it feels like too much of a betrayal of who Vegeta is.

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This one features the film debut of Super Saiyan Gohan as well as Trunks’ long-haired look.

These movies have a hard time coming up with unique ways to end the conflict. It’s disappointing that this one basically utilized the same method as our previous film, Super Android 13!, with Goku borrowing a bunch of power in order to deliver a killing blow. The problem with this movie is that we have no even fights at all, save for maybe the very first, brief, encounter between Goku and Broly. A large portion of the film’s run time is devoted to the fight with Broly and it’s mostly a slaughter. He’s so effectively violent though that it remains engaging watching him decimate the heroes. It’s just disappointing that when Goku does power-up, he basically ends the fight with one blow. I would have preferred to see a more even matched confrontation that lasted some length of time, but oh well. The side-story with the enslaved race also felt rushed. It’s crazy that with the film running as long as it did that some stuff still felt under-developed, but I guess that’s what happens with a more ambitious plot.

Even with its problems, I still came out of this one really enjoying it. It’s one of the better Dragon Ball Z movies, and say what you want about Broly, he comes across as a legitimate villain with a cool design. He resembles the bulky Trunks from the main series, only he’s even bigger and isn’t penalized in the speed department by his massive physique. It’s kind of a novelty to see Goku dominated so convincingly, though the final outcome was cheap. As a result, it’s not surprising that the films would want to revisit Broly even if his demise seemed pretty damn final. It’s just too bad that the rematch is going to be a pretty underwhelming affair.


Dragon Ball Z: Super Android 13!

DBZ_THE_MOVIE_NO._7Japanese Title:  Extreme Battle! The Three Great Super Saiyans

Original Release Date:  July 11, 1992

English Release Date:  February 4, 2003

Directed by:  Daisuke Nishio

Screenplay by:  Takao Koyama

Running Time:  46 minutes

The 7th Dragon Ball Z feature film boasts another famous debut, that of Future Trunks, to the world of DBZ films. The last film brought in his father, Vegeta, which kind of played up the notion of there being two Super Saiyans. Well, what’s better than two Super Saiyans? Three, obviously! Even the Japanese title for this film goes right for that little tidbit, while the English version is once again content to just tell us who the villain is going to be. And since this film came out during the heart of the Androids/Cell Saga, it’s probably not surprising that the villain is going that route. Since the anime gave us an Android 20, the inventor Dr. Gero himself, without listing every android between 1 and 20 it left Toei with a lot of room to make new characters following that numeric assignment. I believe the regular series only gave us androids 8 and 16-20, though I could be forgetting some from the Dragon Ball era. This film is going to present to us Androids 13, 14, and 15 and they’re certainly different in terms of styling, which we’ll get to. Let’s get down to business though.

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Goku out of his element.

The movie opens with a flashback to the murder of Dr. Gero (Ed Marcus) at the hands of Android 17. It’s re-animated and not just the same footage we’ve already seen from the show and it’s slightly more graphic. As Dr. Gero’s blood oozes into the floor the camera pans below to reveal a hidden super computer buried under the laboratory. Three nearby, human-sized pods emblazoned with the numbers 13, 14, and 15 are shown and it’s more than a little ominous. After the opening credits, Krillin (Sonny Strait), Oolong (Brad Jackson), Master Roshi (Mike McFarland) and Trunks (Eric Vale) are shown standing in line for a beauty competition in a super mall. They’re the only ones in line, and Trunks, dressed in his debut Capsule Corp jacket complete with sword, is kind of just along for the ride. Oolong and Roshi are quite eager to see some babes, while Krillin is at least trying to play it cool, but he’s not fooling anyone. Goku (Sean Schemmel) is there shopping with Chi-Chi (Cynthia Cranz) and Gohan (Stephanie Nadolny) and having a pretty miserable time of it, until they decide to get some lunch.

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The somewhat problematic Androids 14 and 15.

Once seated, they’re joined by the others who were previously waiting in line, but found out they were there on the wrong day and wasted their time. While the heroes dine, two individuals enter the city and start calmly strolling through while also blasting everything in sight. They’re an interesting pair. One being, a short guy with purplish skin and an outlandish outfit and a tall guy with pale skin who has kind of an Indigenous American look to him. They’re silent, and head straight for the restaurant the main characters are dining at. Eventually, the commotion reaches them and Goku and his friends are forced to evacuate all of the patrons and waitstaff as they initially think a mega earthquake has just struck. They soon encounter the ones responsible who introduce themselves as Androids 14 (Ed Marcus) and 15 (Paul Bandey). Like the other androids, they exist to kill Goku due to Dr. Gero’s vendetta against our hero. Goku, never one to back down from a fight, invites the duo to follow him to a more remote location away from all of the innocent people.

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This movie marks the film debut of Trunks.

Goku leads the androids to an arctic area. Trunks follows and Gohan and Krillin aren’t far behind. Goku and Trunks pair off against the two androids and they more than hold their own without having to even resort to their Super Saiyan states. That is, until Android 13 (Doug Rand) shows up. Sporting a mullet haircut and a trucker hat, 13 introduces himself and explains how the trio came into existence. He has a bit of a righteous tone, while speaking with an American southern accent (Trunks even refers to him as a redneck) and vows to kill everyone. Outnumbered, Trunks and Goku find themselves struggling until Vegeta (Christopher Sabat) decides to show up. Citing his now tired explanation of wanting to be the one to end Kakarot (Goku), he goes after Android 15 while Trunks takes on 14 and Goku 13. Eventually, all three power-up to their Super Saiyan forms and immediately the tide begins to turn. 14 and 15 appear to be no match for a Super Saiyan, but 13 is still able to put up some resistance against Goku. Gohan tries to get involved, which just necessitates a rescue from his guardian angel Piccolo (Sabat).

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Android 13 sees the value in wearing a vest, but apparently not shirts.

Trunks and Vegeta are able to defeat and destroy their opponents, leaving only 13. Goku and Piccolo have teamed up and are beating him down, but 13 has an ace up his sleeve, or he would if he had sleeves. Components from the defeated 14 and 15 float up and merge with 13, causing him to transform into Super Android 13. His skin takes on a purplish color, while he gets orange Super Saiyan-like hair while significantly increasing in mass. Vegeta tries to arrogantly take him on solo and is dispatched rather quickly. The others give it a go, but Android 13 is just too powerful in his new form.

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Behold! Super Android 13! He kind of looks like a rejected Blanka design.

You probably know what that means. Goku is going to have to power-up a Spirit Bomb attack if they want a chance at defeating 13, which means the others will have to stall for time so Goku can properly form the attack. That’s how the rest of the film unfolds, with the others being severely out-classed by 13, but still finding enough resolve to keep him away from Goku. Toei does introduce a little wrinkle this time into the Spirit Bomb attack, one that kind of goes agains the canon rules of the attack, but it’s not really a big deal. It’s not enough of a swerve to prevent the maneuver from feeling tired at this point, but it’s an ending.

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Ouch.

Super Android 13! is basically just one long fight. Most of the films are light on plot, and there’s something to be said for just getting to the action as quickly as possible, but this one may be too focused on that. The designs of these new androids feel very “ethnic.” Japan doesn’t have the same racial hang-ups America does so they probably don’t care, but it is weird to see this white, redneck guy bossing around what looks like an African American pimp and Native American. Not only does he boss them around, he’s demonstrated to be superior to them in design. It’s an uncomfortable observation to make, though I honestly don’t think it had any impact on my enjoyment of the film.

Even ignoring those racial implications, the designs of the androids are kind of lame. 14 has little character, though 15 is definitely a sight. He has a loud design and his giant hat and sunglasses are kind of in-line with Akira Toriyama’s sense of humor, which makes sense since he designed them. Android 13 is kind of just stupid looking, and his super version is arguably dumber, but at least it’s intimidating. The arctic setting is a welcomed return though as I enjoyed it way back in the second film, The World’s Strongest. Here they don’t really play up the elements much, but it looks nice.

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Looks like our heroes will need to find a quick way to power-up if they want to defeat this guy. Gee, I wonder what that means?

For this dub, it feels like Funimation took more liberties than usual. 13 mocks Trunks’ haircut as a “$30 haircut,” which doesn’t make sense since there’s no such thing as dollars in DBZ. He has a righteous attitude, as opposed to just wanting to kill Goku, and mocks humanity’s abuse of free will. In his powered up form, he’s prone to cursing when in the Japanese dub he mostly just growls. There’s also the previously mentioned “redneck” line and an instance where dialogue was added in place of silence. It’s during the closing moments when Piccolo and Vegeta are seated on a floating piece of ice. I’m actually not complaining because their brief exchange is kind of funny. This isn’t the last time those two will share a scene to close out a feature.

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Since Trunks is in this one with his sword, that means they have to do that delayed split-in-half thing after he charges at an enemy.

Ultimately, Super Android 13! is not one of my favorites. The action is just okay, there’s not a lot here we haven’t seen before, and the pacing of the fight is quite redundant with other movies. The setup is even less interesting, though at least the brief moments with our resident perverts is kind of amusing, and it’s always enjoyable to see Goku living a more suburban life and reacting to it. Visually the film is fine and it’s on par with the better movies. There aren’t many animation shortcuts and the picture is bright and vibrant. The snowy landscape helps to make the fighters stand out against the backdrop, though there is an absence of really big, flashy, attacks outside of the underwhelming conclusion. In short, it’s fine, but Toei can do better.


Dragon Ball Z: The Return of Cooler

DBZ_Movie06Japanese Title:  Clash!! The Power of 10 Billion Warriors

Original Release Date:  March 7, 1992

English Release Date:  August 13, 2002

Directed by:  Daisuke Nishio

Screenplay by:  Takao Koyama

Running Time:  46 minutes

Movie six, The Return of Cooler, is our first instance of a repeat villain and not the last. I suppose you could consider it the second, since by the release of this one Garlic Jr. had made his second appearance by showing up in the actual anime series. For the movies though, this is the second appearance of a villain. Cooler, fresh off of his defeat in movie five, is back for revenge and this time he’s joined by a star. And by star I don’t mean someone famous or important, I mean an actual star:  The Big Gete Star. Set on the planet New Namek, The Return of Cooler marks the movie debut of everyone’s favorite Saiyan asshole:  Vegeta. Since this one takes place during The Imperfect Cell Saga, Vegeta is in his Super Saiyan form so I guess he was just sitting out these movies until he was appropriately powerful. It was a bit odd seeing him left out of Cooler’s Revenge, given his history with Frieza, but I suppose it was better than seeing him pop-in just to get his ass handed to him (like Piccolo often does). Not to be overlooked is the film debut of Dende, the newly appointed Guardian of Earth. Strangely, this film premiered before Dende assumed that role in the series. It’s not a particularly huge plot point in the show, and it was being adapted from a manga anyway, but it’s still kind of odd to see that plot “spoiled” by a movie.

The film opens on New Namek where the Namekians enjoy a peaceful existence, much in the same way they did before Frieza’s arrival on their former home. A colossal, mechanical looking planet then comes into contact with the world. It grips it like a parasite, and the people of New Namek are helpless to do anything about it. On Earth, Dende (Laura Bailey) can sense what is happening to his former home, and not knowing what else he could do, he turns to Goku for help.

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This is the rare movie where Piccolo actually doesn’t get his green ass handed to him.

Goku (Sean Schemmel) is always willing to help out, and he and his friends hop into a Capsule Corp spaceship and head for New Namek. Apparently they do not anticipate there being a huge problem as joining Goku is Gohan (Stephanie Nadolny), Krillin (Sonny Strait), Piccolo (Christopher Sabat), Oolong (Brad Jackson), Yajirobe (Mike McFarland), and Master Roshi (McFarland). No explanation is given why such a large contingent needed to go, and they don’t offer up an explanation for why Goku didn’t just teleport to New Namek, but it helps to keep the comic relief on-hand, I suppose. Though Yajirobe? That guy never likes to leave his tower.

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A rather interesting crew.

When they arrive on Namek they find all of the people there have been enslaved by an assortment of robots. It’s not clear initially what it is the robots want from the Nameks as they’re just sort of being marched along, but obviously it can’t be anything good. The heroes spring into action, but find the robots are all pretty tough on their own. Goku goes off to confront their leader, leaving the others to take care of the underlings. Only Piccolo seems capable of matching the robots, but with the numbers greatly at their advantage, they eventually overwhelm him and the others.

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Cooler is back, whether you asked for it or not.

Goku is able to track down the leader and he’s shocked to find out it’s none other than Cooler (Andrew Chandler). When we last saw Cooler he was being blasted into the sun, which was apparently very successful as Cooler no longer has his body. Instead he’s a metal construct that takes on the form of Cooler’s fourth form, the one that resembles Frieza’s final form, as opposed to his more advanced form. As a cyborg, Cooler proves to be quite formidable. As Goku damages him, the Big Gete Star is able to repair him and even reforms complete limbs. Not only that, he learns from his mistakes and weak points in his body are further strengthened to prevent the same injury from occurring again.

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That’s a neat little trick.

With Cooler being as powerful as he is, Goku is forced to go Super Saiyan. Adding further insult, Cooler even lets him know he can also utilize the Instant Transmission attack removing one of Goku’s new trump cards from his deck. He’s able to take control of the fight and when it looks like Goku is about to bite the dust, the prince enters the fray.

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Goku is no match for Cooler on his own.

Vegetal (Sabat), claiming he’s here to make sure he’s the one who gets to kill Goku (or Kakarot, as he always refers to him as) so that we don’t mistake his appearance for charity. Despite seeing Cooler’s dismantling of Goku, Vegeta is still his usual arrogant self and he rushes headlong at Cooler. It doesn’t take much time for Cooler to demonstrate his superiority once more, and the two Super Saiyans are forced to do something neither ever wanted to do:  team up.

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Vegeta! This is no time for a nap!

On their own, Goku and Vegeta were unable to make much headway against Cooler and his new metallic form, but together they stand a chance. Knowing Cooler will just repair any real damage they inflict, they have no choice but to go all out and simply overwhelm Cooler with their combined attacks. It works, but the two warriors are totally spent and collapse onto the ground. To their horror, reinforcements arrive and dot the horizon around them. At first it’s just a few, then it becomes dozens, hundreds, thousands! And the reinforcements aren’t more of the robots that fought with Piccolo and the others, but copies of Cooler! Not ones to simply admit defeat, the Saiyans power-up as best they can, but predictably they’re defeated and taken as prisoners to the Big Gete Star.

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A little teamwork goes a long way.

Inside the star, the mostly unconscious Super Saiyans are strung up by a series of wires deep within the core of the planet. The star needs energy to power itself and it intends to snack on a pair of Super Saiyans. Cooler appears and can’t resist the usual villain trope of explaining how this all came to be, and what he intends to do from here. The star had found Cooler in space following his defeat at the hands of Goku. When it initially found Cooler, the Big Gate Star was a mere microchip. It fused with Cooler and began to grow. The chip and Cooler became one, and the Big Gete Star is essentially Cooler, whose remains are still intact serving as the hive mind of the whole contraption. Having really no other alternative, Goku and Vegeta power-up from their positions and Cooler has trouble absorbing all of the energy being output by the Super Saiyans. It overloads the system, freeing not only Goku and Vegeta, but the others as well who had been captured. All except Piccolo, who has been making his way to the Big Gete Star and gained entry, only to be confronted by a Metal Cooler.

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Eh, they’ve been in worse situations.

With the circuits overloading, Goku and Vegeta are able to attack the core of the star which is basically just Cooler’s mutilated head. He soon creates some giant monstrosity of himself and attacks. Vegetal slices off one of the Mecha Cooler’s arms, allowing Goku to unleash a mighty blast vanquishing Cooler once and for all. As the core dies, the Cooler attacking Piccolo explodes. He’s able to reunite with the others for an escape which needs to happen fast as the whole place is coming down. The whole planet disengages from New Namek and explodes in orbit. Before anyone has too much time to ponder their fate, Goku and Vegeta fall from the sky, a bit banged up, but alive. They’re able to revel in their victory while Vegeta makes a quick, offscreen, exit. He gets the last moment though as he’s shown fleeing in a space pod clutching the last remaining microchip from the Big Gete Star which he crushes in his fist.

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Cooler’s one last trick is some sort of mecha-version of himself.

Like the first appearance of Cooler, The Return of Cooler is a pretty straight-forward and briskly paced film. Unlike that one, the action here is pretty consistent. Since it takes place on New Namek, it’s not all that visually interesting since the original Namek, which New Namek is apparently a carbon copy of, was a pretty boring looking place itself. The interior of the Big Gete Star is at least a different look for the series, and the new robot designs are unique to this film and not repurposed from the show. Cooler, in his resplendent new form, looks rather “cool” and you can tell Toei spent most of their budget on making him look nice and shiny. I’m torn on if I would have preferred he be in his fifth form or this one, but that one lacks a mouth and I’m guessing the animators find this one is easier to work with and convey emotion through. The other characters also look great with there seeming to be a strong effort to make Vegeta look impressive in his debut. Lots of straight lines help evoke the feel of the later stages of the manga and anime and everything looks rather sharp. Cooler’s regeneration abilities are also pretty damn neat to watch and much more visually interesting than say Cell’s ability to do the same.

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Remind me again why Goku brought them along?

I’m on record as saying Cooler’s Revenge may have been my least favorite of the films so far. I didn’t find fault with the villain, Cooler, though in reaching that conclusion, I mostly just hated the execution. Even so, I wasn’t exactly eager to receive another appearance from Cooler. If we were going to repeat a villain though, he’s probably better than any of the ones that have come before him so far. A more popular repeat villain still to come is Broly, and he’ll even beat Cooler’s record by making a third appearance, and given a choice between those two I would probably give the edge to Cooler as being the better villain. It will be fun to revisit Broly in the coming weeks and see what my attitude towards him is now, but from what I remember I wasn’t super impressed.

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All in all, a nice film debut for Vegeta who looks exceptionally bad ass throughout this one.

The Return of Cooler is a much better send-off for the character and helps soften the blow of Cooler’s Revenge. It wasn’t necessary that Cooler get another try, but it’s not as if these movies are filled with classic villains so I don’t think we really missed out on anything. It’s good to finally have Vegeta in these films, even if his role is somewhat small from a character perspective, he’s just there to beat stuff up. He’s mostly a glorified cameo in these movies, with perhaps one exception, but I’d rather he be in them than not. And since the anime resisted having Goku and Vegeta pair up it’s pretty neat to see it here in a movie. And that’s mostly what these movies do best is give us a taste of something the anime didn’t get a chance to do.