Category Archives: Television

Batman: The Animated Series – “Joker’s Favor”

Jokers_Favor-Title_CardEpisode Number:  22

Original Air Date:  September 11, 1992

Directed by:  Boyd Kirkland

Written by:  Paul Dini

First Appearance(s):  Harley Quinn

At last, we’ve come to the television debut of The Joker. Despite already appearing in several episodes, it was production episode number 22 that ended up being the first Joker episode to air on television, and as a debut episode, it’s both odd and strangely appropriate. The episode, seemingly more so than the other Joker episodes, requires having knowledge of who The Joker is going into it. As has been established with a few villains, The Joker existed before the events of the show and he’s so well known that even the citizens of Gotham know who he is, as we shall see with poor Charlie Collins. This episode is also the first Joker episode where Paul Dini is credited as having written, though as a creator on the show it stands to reason he had input on most of the episodes. And of course, this episode is most notable for being the debut of Harley Quinn in any medium. She would arguably end up being the biggest break-out star on the show. Interestingly, if you have the DVD release for this first volume of episodes the episode is titled “The Joker’s Favor,” though everywhere I’ve seen it listed it’s just referred to as “Joker’s Favor.”

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Bad idea, Chuck.

The episode opens with its protagonist. No, it isn’t Batman or even Joker, but an ordinary chum by the name of Charlie Collins (Ed Begley Jr.). Charlie is just an average guy having a bad day. Not much has gone right and his wife is making meatloaf for dinner – he hates meatloaf. He’s driving home from work when we meet him, and he’s soon cut-off by another motorist. This is enough to push Charlie over the edge and he starts laying on his horn and scolding the individual who wronged him on the road. Much to Charlie’s horror, the other motorist he just sassed turns out to be none other than The Joker. One turn of the head and a hideous grin is enough to scare the Hell out of Charlie. He knows who he just yelled at and immediately shrinks like a frightened turtle. Unfortunately, The Joker slides in right behind him and begins to follow him. Charlie tries to lose him and hastily exits the freeway. He pulls off the road and takes to his feet running through the nearby woods as fast as his short legs will carry him.

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This is not a situation you want to find yourself in.

Charlie collapses, exhausted, at the base of a tree, but he looks up only to find himself gazing up at The Joker. Joker, decked out in his gray hat and trench coat that he’ll sport in Mask of the Phantasm, isn’t too happy with old Chuck. He gives Charlie a chance to resume his tough guy talk, and as expected, Charlie is too frightened to do much but offer an apology. Joker, being the caring type, decides he’s not going to kill Charlie and instead tells him he expects a favor in return, some day. Charlie is frightened out of his mind, but all in all pretty relieved to not be dead as The Joker departs.

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There she is, that character we all love.

Two years later, the Gotham P.D. is getting ready to celebrate Commissioner Gordon with a special dinner and Joker wants sees it as a perfect opportunity for mischief. He decides now, along with his henchman Harley (Arleen Sorkin) seated beside him, to look up Charlie and call-in his favor. Turns out, Charlie did the wise thing and entered into a witness relocation program following his brush with The Joker. He’s now Don Wallace and lives in Ohio, but apparently Joker has been keeping a close eye on him because he’s able to call him up. Charlie tries to tell him he has the wrong number, but he soon realizes who is on the other end. Joker orders him to the airport to hop on the next flight to Gotham where Harley will pick him up from the airport.

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I have to admit, that cop outfit really works for her.

In Gotham, Charlie is forced to confront the Joker once more, and much to his surprise, he’s only asked to open a door. Feeling he’s capable of doing that, he goes along with the plan. Realizing something is up though, he leaves a bat-signal like calling card for Batman as he’s put into position inside the banquet for Gordon. He does as he’s told, opening the door when instructed and in strolls Harley dressed as a cop with an over-sized cake in tow. The men in the room think something sexy is bound to happen, but instead they’re all hit with some nerve gas that renders them all unable to move, frozen in place like statues. Harley, of course, wears a mask to prevent the gas from affecting her and she affixes one to Charlie as well. Joker rises from the cake to taunt the police as Harley attaches a bomb to Gordon, his plan almost complete.

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That could be a gag bomb, but I wouldn’t want to wait around to find out.

Charlie, realizing he can’t be an accessory to this, tries to do something about it but finds his hand has been glued to the door handle. Joker informs him he’s done with him and leaves him to die with the others. Good thing he left that little signal for Batman, because the caped crusader soon arrives on the scene. Charlie tells him what’s going on, and Batman is able to remove the bomb just in time with the added benefit that it landed on Joker’s escape van when he tossed it out the window.

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Got to hand it to him, Joker really takes it well when things don’t go according to plan.

A fight ensues between Batman and Joker’s goons. Joker is able to use yet another bomb to distract Batman and slips into an alley only to find Charlie waiting for him. He tries to brush past Charlie, but all of a sudden he finds the portly fellow full of courage. Charlie slugs Joker in the stomach and knocks him into some trash cans. He then produces another Joker bomb, only he seems intent on blowing them all up. Batman arrives and tries to talk Charlie out of it, but Charlie makes the correct observation in noting it’s pointless because The Joker will just escape from wherever he’s locked-up to torment him again. Joker, now no longer having any fun, tosses all of the information he has on Charlie at his feet, but Charlie refuses to abandon this course of action. Joker tries to hide behind Batman, but Charlie tosses him the bomb only for it to detonate and reveal itself to be a gag bomb. Charlie has a good laugh, and Batman even joins in, at Joker’s expense. Batman basically tells Charlie to get out of here, and he’s happy to do so. As we wanders away, he even mentions he hopes his wife is making meatloaf for dinner.

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In the end, Charlie gets the last laugh.

“Joker’s Favor” succeeded as a Joker episode for two very important reasons. One, it establishes The Joker as being a villain to fear. It’s easy to lose sight of that on a kid’s show given all of the silly Joker stuff that exists in most of the episodes featuring him, but he is a murderer and someone to be feared. His stalking of Charlie is creepy and Charlie’s fear is easy to understand. And then second, it also showcases Joker’s silly side, the side of him that basically always gets in the way and prevents him for doing real lasting damage on the show. He carries gag bombs, rarely takes Batman seriously, and even dismisses Charlie. He also only uses Charlie in his scheme because he just wants to terrify the guy. He probably could have utilized someone else for his plant at the banquet, someone who wouldn’t have betrayed him and called Batman, but as we’ll see time and time again The Joker just can’t get out of his own way. It often seems like he prefers it that way.

Harley Quinn makes a nice debut for herself, though it’s also not indicative of the character she’ll become. Her harlequin inspired attire and attitude is fetching (much of that can be credited to Arleen Sorkin who really brings life and charm to the character through her performance) and she makes an instant impact since so often the henchman in the show are lacking a personality. Still, I’m not sure if people expected to see more of her or if they thought she would just be a one and done sort of character. Of course, she wasn’t, but considering a series of Joker episodes followed this one without Harley it seemed to suggest she wouldn’t play a large role going forward. Thankfully, that wasn’t the case, and Harley ended up being one of the few villains who often has another layer revealed about her in each subsequent episode she appears in, rather than just being an unchanging villain of the week.

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If you liked Harley in this episode, then I have some good news for you because we’ll be seeing a lot more of her.

As for Charlie, he was one and done and that’s the way it should have been. Joker probably should have sought revenge, and if you’re the dark type maybe you just assume Joker did end up killing him and we never found out. If Joker could find him once even with a name change and move out of town then he could probably do it again. This episode also doesn’t feature much Batman, but at this stage that’s fine as we’re pretty comfortable with Batman at this point. He can sort of come and go as he pleases, as long as what’s in his place is worthwhile and here it certainly is. This may be my favorite Joker episode, though more good ones are to come.

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Dragon Ball – Season 5

images-237What?! I’m actually finishing my look back at the entire series of Dragon Ball AND two entries are being made within a week of one another?! If you’re just stumbling upon this, I started looking back at Dragon Ball back in 2011 and it’s taken me until 2018 to finish it. Not because I needed all of that time to watch the show or go into exhaustive detail, I just plain didn’t do it. Now it’s done though, and we’re upon the final volume as released by FUNimation on DVD, which they chose to refer to as Season 5.

When we left off with Season 4, King Piccolo had just been defeated by the plucky young Goku in sort of gruesome, yet satisfying, fashion. Just before Piccolo truly died though he was able to spit an egg halfway across the world. Referring to it as his son as it traveled through the air, he encouraged it to continue his work and above all, seek revenge for his death. The whole scene was unnoticed by Goku, Tien, and Yajirobe who all were there to witness Goku’s triumph. Goku was beaten up pretty badly though and was in need of some immediate attention so Yajirobe scooped him up and tossed him in his hover car presumably to take to Korin. Meanwhile, Yamcha and Bulma were arriving on the scene with their other friends in tow and were prepared to render aid to Tien, who also took a pretty good beating during the confrontation with Piccolo.

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Season 5 marks the debut of Kami, who will play an important role in the episodes (and series) to come.

The first several episodes continue to deal with the fall-out. Goku, needing to revive the Eternal Dragon in order to restore his friends to life, journeys to the tallest point of the world, beyond even Korin’s tower, to the lookout. There he meets Mr. Popo, the djinn-like attendant up there. Poor Mr. Popo would later be viewed by network broadcasters as a racial stereotype when Dragon Ball Z Kai started airing in the US and be re-colored a garish neon blue. Here he is presented in his traditional black with red lips. Honestly, I see a genie when I look at him so I don’t really know what Toriyama was going for, but if you see him as racist that’s your right too. Anyways, Goku has to prove himself before Popo in order to meet the guardian of the earth, Kami. When he does he’s stunned to see that Kami looks just like the elder version of Piccolo!

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Mr. Popo’s appearance was deemed controversial enough to edit when airing on the CW as part of Dragon Ball Z Kai.

Again, this is another moment in the series spoiled by the popularity of DBZ. Having seen that series, I know all about Kami and how he and Piccolo used to be one person. Kami, needing to prove himself worthy of being the earth’s guardian, purged himself of any and all malice. That lead to the creation of Piccolo, a collection of every bad aspect of Kami’s personality. Kami is also aware of the existence of Piccolo Jr., and rather than commit infanticide, wants Goku to train with him to face that challenge someday. In exchange for reviving the dragon, Goku agrees to train with Kami for 3 years (apparently, Kami’s race grows up fast). For Goku, the length of the commitment seems daunting, but he’s always eager to get stronger and training under Kami is viewed as a worthwhile opportunity.

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Yeah, this is going to happen.

The next half-dozen episodes or so comprise Goku’s training. He’ll enter the Spirit Room, do some fishing, and even journey back in time. Meanwhile, Tien, Yamcha, and the newly resurrected Krillin and Chiaotzu seek out Master Korin to take part in some of the training that worked out so well for Goku. These episodes seek, in some respect, to go back to the more whimsical tone of the show. Even though the main characters are largely training, they end up going on small adventures with fairly low stakes. There’s an emphasis on comedy, particularly with Goku’s time-traveling, but they do suffer from the usual training fatigue this series and the ones to come fall victim to.

At episode 133, we get a three year time jump. This was likely done to accomplish two things:  gloss over Goku’s training with Kami and age-up Piccolo Jr. This leaves us at the latest edition of The World Martial Arts Tournament which will not only showcase the world’s finest but also serve as a reunion for the majority of our cast. The reunion doesn’t just cover the usual gang, but even reaches back to older acquaintances and even some we never saw play out, like Tien and the brutal Mercenary Tao. This is also a re-debut for many of our children characters who now find themselves aged-up into young adulthood. It’s fun to see how the characters, who apparently haven’t seen much or any of each other over the years, react to seeing one another again, but it’s also a little sad for us the viewer as it means we’ve now said goodbye to kid Goku. I’m going to miss that sweet little boy.

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Piccolo Jr as a bit of an evil look to him that will soften in DBZ.

In his place, naturally, is adult Goku. I must say, it’s pretty cool for a manga and now an anime series to do something as permanent as age-up its child protagonist into an adult. It’s pretty risky, since there’s a chance the young audience that comprises the fanbase will no longer identify with Goku. And there’s also the risk that they just won’t want to see Goku as an adult and prefer he remain a boy. From the creator’s perspective, Toriyama must have felt there was nothing left for a young Goku to accomplish. After all, having adults underestimate a child over and over again gets old and his last major act as a kid was basically saving the world. It’s hard to accomplish something bigger than that. Goku, as a child, even had to deal with trauma in the form of watching his friends and mentor die as well as face the burden of taking a life himself. That’s a pretty full childhood.

Thankfully, as an adult Goku hasn’t lost what made him so endearing as a boy, only his tail (so the moon could come back). He’s still kind-hearted and trusting to a fault and pretty ignorant of the world around him. Age has brought him little wisdom, and he still approaches every challenge with the same youthful eagerness and excitement he always has. Meanwhile, Krillin has grown into a more well-rounded individual who is less devious and less assure of himself, without actually growing much physically. He was over-confident as a boy at times, but now has a more realistic outlook, though we’re still a long way from him being totally outclassed by his peers so this is a Krillin who still feels like he can hang with anyone in a fight. Also re-debuting, is Chi-Chi, who we haven’t seen in quite some time. Chi-Chi, daughter of the Ox King, took a liking to Goku once upon a time and he even agreed to marry her one day. Chi-Chi apparently has not forgotten that promise.

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Tao is back, and he’s had some enhancements.

And then there’s Junior. Piccolo Junior, that is, makes his presence known by also entering the contest. He’s not so much there to win as he is to defeat, and then kill, Goku to avenge the death of his “father.” Piccolo Jr. is more of a clone than a true son, from what I gather, though we’ll learn way, way, down the road that he’s part of a race that actually reproduces asexually so maybe it’s a bit murkier than that. Whatever he is, he knows all about the encounter between his father and Goku even though he wasn’t there and had no one to raise him. He mostly looks like his father, though he’s a bit more slight and takes to wearing a cape and turban with giant shoulder pads. He’s convincingly evil, like his dear old dad, which is a far-cry from where he’ll be when DBZ picks up.

The tournament is going to take around 15 episodes to complete, making a pretty long competition. Like most of the tournaments featured in this show, the final match-up feels pre-ordained which does suck some of the suspense out of it all. To add some spice, there’s the new and improved Mercenary Tao who’s now part machine after being nearly killed by Goku in Season 3. He gets put on a collision course with Tien, who apparently doesn’t have fond memories of the brute dating back to his time with Tao’s brother, Master Shen, who would spar with Tien. Tien and Goku also need to have a rematch following Goku’s defeat the last time the two met in competition, and a mysterious fighter named Hero enters the tournament and his identity is in question, until it’s not.

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The eventual confrontation between Goku and Piccolo is a pretty satisfying battle.

Of course, the two fighters destine to meet in the finals are none other than Goku and Piccolo Jr. It may not come as a surprise, but it wouldn’t make sense for it to be any other pairing. For Piccolo, it’s an opportunity to not only best Goku in a fight, but to also embarrass him in front of a large audience. For Goku, this is his third trip to the finals of this tournament and a chance to finally win one having fallen to Master Roshi (disguised as Jackie Chun) and Tien previously. Their battle will encompass parts of six episodes, which feels like a make-up for the relatively brief battle between Goku and King Piccolo. To heighten the stakes, Piccolo essentially promises to destroy the world after he finishes off Goku. Goku likely can’t just settle for winning this match as a ring-out or some other technicality likely won’t prevent Piccolo from going on a rampage. He needs to beat him down and make sure he can’t accomplish his goal of total annihilation for earth.

This fight is essentially the grand finale for Dragon Ball. It’s going to rely on some old staples of past fights while also attempting to up the stakes as high as possible. Think huge energy attacks and a literal huge adversary when Piccolo demonstrates his growing abilities. When all is said and done, the show feels almost as if it’s been creatively exhausted. The fighters are so beyond what they were when this show started and it feels impossible to ponder where they go from here. Of course, Toriyama and TOEI weren’t quite there yet as DBZ will prove there’s still something left in the tank, but for now, this conclusion feels complete.

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Goku and Chi-Chi are going to need some time to get reacquainted with each other.

It doesn’t end there though. The last five episodes detail Goku and Chi-Chi’s quest for marriage. They have to embark on some minor adventures for a dress and other wedding planning activities that try to recapture a bit of that old Dragon Ball magic, but sadly come up short. That’s not to say these episodes are bad, but they lack some of the whimsy of the old ones and feel like padding to draw out the season. I’m not really sure why anyone felt the show needed to be 153 episodes instead of 150, but it is what it is. In the end, Goku and Chi-Chi are married and they display as little chemistry together here as they will in DBZ. I’ve always been some-what dissatisfied with their pairing as Goku is almost too child-like to imagine getting married, let alone procreating eventually. Chi-Chi at least gets to be an interesting character, albeit briefly, before becoming a nagging shrew in DBZ. She’ll rarely be in the wrong from here on out, but she’ll often be made to feel like an adversary of sorts for Goku. That’s sort of a problem with the series as a whole though, as the women often feel more like stereotypes than anything.

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In a bit of a surprise, the series ends with a wedding.

Dragon Ball has a some-what muted end, but in a way it’s also satisfying. The World Martial Arts Tournament is a chance for Goku to shine for a final time doing what he does best:  fighting. There’s also a nice send-off for him that hints at a more stable life by having him marry Chi-Chi. The reunion feel of the tournament also allows for basically every one of the secondary characters to have some screen time to not only see what they’re up to, but say goodbye. Of course, the manga continued on after this while the anime would be rebranded as Dragon Ball Z and run for over 200 episodes by itself. I personally like that the two anime properties are separated, albeit slightly, in their naming as Dragon Ball has always had a very different feel than Dragon Ball Z. It’s the more charming of the two and the series more concerned with character creation. Watched separately, Dragon Ball Z lacks that, but it’s largely due to the characters being established by this series, although that’s no excuse for the cookie-cutter villains added in DBZ. In light of that, I suppose it goes without saying that I view Dragon Ball more favorably than I do Dragon Ball Z, even though DBZ is the series I consumed first. Dragon Ball just holds up better on repeated viewings as its humorous tone and smaller stakes are easier to digest rather than every fight being a battle to save the universe. This final volume of episodes is definitely not the best, and in some ways just feels like a lot of fan service, but it is at least fan service done well as if you’ve been along for the ride you’ll likely find yourself smiling a lot while watching these final episodes. It probably wouldn’t make sense to view it without having seen the previous 122 episodes, but for those who have it would make even less sense to skip this final batch of 31. All in all, a satisfying conclusion to a wonderful series.

If you’re looking to enjoy Dragon Ball on your own, your options are unfortunately rather limited. Aside from streaming options, you basically only have the five season sets put out by FUNimation. Even in Japan, the series was only released as a made-to-order set as even there DBZ is more popular than Dragon Ball. The FUNimation sets are limited to strictly DVD and no Blu Ray release is currently planned. The sets themselves are solid, if unspectacular. The transfer is about as good as you would expect of a television program from the 1980s. FUNimation wisely left the aspect ratio alone, having faced some backlash for messing with it for its DBZ box sets. The original audio is also preserved and available. FUNimation obviously re-dubbed the character voices and narration but left the music alone. Dragon Ball benefitted greatly from being dubbed by FUNimation long after it started doing in-house dubs. Their initial dubs were pretty terrible, including Dragon Ball Z, but the Dragon Ball one is pretty fantastic. There’s no “warm-up” period for the actors as they all feel comfortable with their characters from the get-go. If you prefer to hear the characters and understand them as opposed to reading, then you’ll probably be happy with the dub. The sets are short on any sort of worthwhile bonus material, but they at least contain the essentials. These sets were once really cheap, which is how I got them, but now that they’re out of print they aren’t as friendly on the wallet but still reasonable ranging from $20 to $30 per set. I think it’s worth it, and if you’re into anime Dragon Ball almost feels like required viewing. If you’re a fan of Dragon Ball Z or Dragon Ball Super and tend to like them for their large scale confrontations then maybe Dragon Ball isn’t for you, but I think it’s worth giving a try. On the other hand, if your favorite episodes of Dragon Ball Z are the early, pre-Frieza episodes then you’ll probably love Dragon Ball. If you do end up checking it out I hope you enjoy it as much as I do.


Batman: The Animated Series – “Feat of Clay – Part II”

3366172-feat+of+clay+2Episode Number:  21

Original Air Date:  September 9, 1992

Directed by:  Kevin Altieri

Written by:  Marv Wolfman and Michael Reaves

First Appearance(s):  None

Like “Two-Face” before it, “Feat of Clay” gets to benefit in its second act from a strong first act that set everything up. All of the establishing material has been taken care of. When we last saw Matt Hagen he had been mutated into a grotesque mass of clay thanks to Roland Daggett’s men and the Renuyu product. Meanwhile, Bruce Wayne found himself in an unfamiliar position:  arrested for the attempted murder of Lucius Fox.

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Meet Clayface.

“Part II” opens with Wayne making bail and heading into his car without speaking a word to the throng of reporters shouting questions at him. As Alfred drives away, Wayne is able to recount a bit of where he’s at in his investigation into who tried to knock off Fox. He knows it has something to do with Daggett (Ed Asner), that much he was able to get out of one of Daggett’s cronies, but he needs more information or else his case will hit a wall. Daggett is also sweating a bit as Fox is still out there and he knows about Daggett’s attempt at a hostile takeover of Wayne Enterprises and things could get back to him.

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Germs doesn’t want to get his suit dirty.

That’s stuff is all playing second fiddle though to what has happened with former actor turned criminal Matt Hagen (Ron Perlman). We only saw a glimpse of the monster he has become at the conclusion of “Part I,” but “Part II” wastes no time in showing Hagen in all his grotesque glory. Seated in front of a mirror in his trailer, Hagen is a massive clay-like golem with a hint of Slimer from The Real Ghostbusters in his face. He’s resigned to the fact that his career as an actor is over, as well as his life among normal people. His friend and stand-in Teddy (Dick Gautier) is trying to console him though, and the two soon realize that the Renuyu that made him this way still works as intended, meaning Hagen can mold his face to resemble others. And the ability is no longer limited to his face, Hagen can essentially re-shape his entire body to resemble anyone he can imagine, including clothing. For a brief moment, Teddy thinks Hagen can now continue on as an actor, only now better than ever. However, Hagen quickly loses concentration and reverts back to his new monstrous appearance. Frustrated, he explains that changing his form is like tensing a muscle, and maintaining that is just as hard. It’s a fun little nugget of info for the viewer and necessary information if we’re to believe that there’s no going back for Hagen.

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That’s a neat trick.

Daggett’s henchman Germs (Ed Begley Jr.) is sent to finish off Fox in his hospital room, but Batman having no real leads to pursue, is there waiting. Germs bolts, but Batman corners him in some research closet where different diseases are stored. Germs, having gained his nickname because he’s a germaphobe, is pretty freaked out and Batman places a jar of what he calls crimson fever on a shelf above the head of Germs. He interrogates him, and each time Germs doesn’t give him a suitable answer he punches the wall and the jar inches ever closer to the edge of the shelf. Germs reveals that Hagen was the one who impersonated Wayne, and Batman is dubious of Hagen’s ability to pull it off so convincingly. Before he can get anywhere further, a security guard interrupts them and we see the jar over Germ’s head was harmless sewer water.

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Hagen getting creative with his new-found abilities.

The guard though, is there for Germs as well. It’s Hagen, and he immediately attacks Batman by extending his arm into a mass of clay to slam Batman against the ceiling. He makes off with Germs and tries to escape via the rooftop, but Batman is there to meet him. They have a brief exchange, with Hagen getting creative with his shape-shifting abilities. In a scene that was often included in TV spots for the show, Hagen makes little steel tips pop-out of the ends of his fingers. They continue to extend until the clay recedes to reveal a steel hand that he then thrusts forward – the fingers extending like swords. Batman dodges, and eventually Hagen collapses under the stress of all of the shape-shifting. He escapes by diving off of the building and retreat’s to Teddy’s house.

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I guess he does kind of look like poop, but I don’t care, I think Clayface is pretty rad.

Even though Hagen failed to kill Germs, he feels empowered by his battle with the Batman. Teddy tries to talk him out of this path, but Hagen snaps at him, announces he’s to be called Clayface from now on, and leaves Teddy lying on the floor. Daggett is set to appear on a popular Gotham talk show hosted by Summer Gleeson, so we know where Clayface is heading. Batman has also made the same connection, and he’s there to set a trap. When Clayface, disguised as an audience member, confronts Daggett on television about the addictive properties of Renuyu, he reveals himself and forces Batman to spring into action. He’s able to lure Clayface into the control room, where monitors surround Clayface and display different parts Matt Hagen played in his career. Clayface loses control of his shape-shifting powers and a prolonged “death” scene occurs as Hagen smashes monitors and gets himself electrocuted. During the sequence, he even takes on the form of Wayne in full sight of the police which apparently was enough to prove Wayne’s innocence (and maybe Germs ended up cooperating with authorities, but Daggett escapes arrest so who knows?). After that, Batman is back in the bat cave with a piece of clay he recovered from Germs. He’s shocking it and it has no effect suggesting to Batman that the death of Clayface was just another performance. Cut to Teddy bidding farewell to his old friend, and a woman behind him laughs menacingly and her eyes go yellow.

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A bunch of monitors is apparently all you need to take down Clayface.

Clayface is a profoundly fun villain to watch. The animation utilized is possibly the best the show will ever have as Clayface is constantly morphing and changing, particularly in the fight scene with Batman. No shortcuts are utilized in showing how his hands turn into other objects, no puff of smoke or bright glowing lights or something to obscure the animation. He has this nice texture to his look that reminds me of earth clay as opposed to pottery. Ron Perlman’s deep and gravely voice also sounds appropriate coming out of Clayface and it’s hard to imagine another voice for the character. Animating him was probably costly, which might explain why he only appears in one more episode of Batman:  The Animated Series, and then one more in The New Batman Adventures. That’s the only thing that dampens my enthusiasm for the episode, just knowing we won’t see much more of this villain. While he doesn’t fit-in with other villains of the show, those that are mostly grounded in some basis of reality, Clayface is a purely fantastical creature. It does feel a touch out of place, but it’s handled well which makes the whole thing easier to accept at face value.

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When Clayface goes nuts the animators get to have a ton of fun with him, or maybe it was all miserable to animate. Either way, it looks awesome.

In the real world, it will be a year before we see Clayface again. For this blog, it will be less than that since it’s roughly 30 episodes away. It was pretty cool though for Clayface to disappear for some time as the ending of this episode makes you wonder what’s next for Clayface. Is he to become a recluse and hide from society? Can he learn to control his powers well enough to resume his life as Matt Hagen? We’ll find out eventually. Batman: The Animated Series only has a handful of two-parters, and it begs the question:  Which is the best? I know a lot of people love “Robin’s Reckoning” and it’s hard to argue against that one as best of the two-parters. “Two-Face” was great though the second act was a little underwhelming, at times. The others concern Batgirl, Ras Al Ghul, and a wacky computer. They’re actually all pretty good, from what I remember, but I think “Feat of Clay” is easily in the top two with “Robin’s Reckoning.” We’ll see how I feel about that two-parter when I get to it (spoiler alert:  in about 10 weeks).


Dragon Ball: Season 4

dragon_ball_season_4_600x600_itunes_artwork_by_eddie09-d58sdkjIt sure is taking me a long time to post about the “seasons” of Dragon Ball. I place the word seasons in quotations because these aren’t actual seasons of television, but just how FUNimation chose to label them when releasing the show on DVD. As a result, Season 4 starts during the World Martial Arts Tournament as opposed to before it or at its conclusion, which is a pretty poor way to start a season (though it’s a better start for Season 4 than an ending for Season 3 which was quite abrupt). Thankfully, Season 4 will end at a better spot setting up for the fifth and final volume of Dragon Ball episodes.

Season 4 has a different feel than its predecessor. While Goku has dealt with loss before and even experienced a desire for vengeance, he’ll be pushed towards a darker path even more so in this volume, but first the tournament. When we left off, Goku and his friends were participating in yet another World Martial Arts Tournament with the plot very clearly setting up a showdown between Goku and his latest rival:  Tien Shinhan. Tien is a student of Master Crane, who is also the older brother of Mercenary Tao, who Goku dispatched in Season 3. As a result, Crane wants to see his brother avenged and is relying on his pupil to do so. In order for the two to meet though, they need to win their respective matches to meet in the finals.

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Some unfinished business from Season 3.

The first 9 episodes deal with the tournament, and throughout it both Goku and Tien will be tested. By its conclusion, they’ll gain a new understanding of each other and Master Roshi will gain some new students, but he’ll also lose one. Setting up what is the main arc of the season is a murder and one that will have a lasting impact on Goku. If you want zero spoilers, then skip ahead, but the murder of Goku’s best friend and one-time rival Krillen is perhaps the darkest moment in Dragon Ball history. Perhaps the only comparable moment is the death of Dende in Dragon Ball Z at the hands of Freeza. Krillen is still basically a child when he’s murdered in Dragon Ball. It happens off-screen, but when Krillen is taking an especially long time in returning to their group’s celebratory dinner Goku runs back to the training ground to retrieve him only to find his lifeless body. It’s an affecting scene to behold as the image is held for an uncomfortably long time. This moment moves Goku to tears, naturally, but it also gives rise to an anger inside of him that is also uncomfortable to see. Up until now, Goku has been our happy-go-lucky protagonist. He’s dealt with loss mostly with sadness and to some degree a lack of comprehension. He’s learned empathy over time, he’s bore witness to how unjust the world can be, and he’s fully equipped now to experience a wide range of emotions at the sight of his best friend’s corpse.

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He doesn’t look THAT scary.

This sets the stage for the evil King Piccolo to enter our story. Piccolo is an ancient evil that not even Master Roshi could handle. He’s often referred to as a demon, and it took a technique from Roshi’s master Mutaito that cost him his life to seal him away previously:  The Evil Containment Wave. Roshi naturally preaches caution to his young pupil, but Goku is too headstrong and determined to avenge his fallen friend. He will pay for his impatience, as Piccolo isn’t alone. Since he’s rather old and feeble looking, Piccolo has surrounded himself with some powerful adversaries. They’re all named after musical instruments just like their master, and all have a sort of reptilian or demonic appearance:  Piano, Cymbal, Tambourine, and Drum. In order to defeat them, Goku will need to get stronger and he’ll be forced to seek out Master Korin once again.

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King Piccolo likes his minions scaly and green.

Meanwhile, Master Roshi together with Tien and Chiaotzu, decide they’ll need the help of the Dragon Balls in order to essentially wish away the demon king. While they’re doing that, and Goku is off training, Piccolo’s minions are seeking out the strongest fighters in the world with the goal of killing them to pave the way for King Piccolo to take control over the world (he’s a rather conventional villain, in that respect). Roshi’s plan to assemble the Dragon Balls ends up backfiring and he’s unable (or unwilling) to master the Evil Containment Wave. As a result, Piccolo seizes control of the legendary artifacts and is able to restore his youth, and power. In the process he also kills the Eternal Dragon. Suddenly, death has real consequences in this world with no dragon able to restore life to those who have fallen or will fall.

With King Piccolo fully powered-up, all eyes turn to Goku. His training with Korin puts him into confrontation with the bulbous Yajirobe. Yajirobe is essentially a punch-line in DBZ, like a lot of the main characters from Dragon Ball unfortunately, but here he is not such a push-over. Still, he’s no Goku. There’s some humor to be found in Goku’s training with Korin, but it’s largely a bit of a slog as we’re more eager than usual to see Goku face-off with the evils that stand before him. Once his training is complete, he’s forced into conflict with Piccolo’s minions and eventually the demon king himself.

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If you’re a fan of Pilaf and his crew, don’t worry, they’re still hanging around.

Some drama is created in the meantime. Tien has mastered the Evil Containment Wave, and with Goku still missing in action, he’s resolved to use it as Piccolo has begun destroying the earth city by city. Using the wave against Piccolo would mean Tien’s death, so it becomes pretty important for Goku to hurry up and get there. Goku and King Piccolo are naturally destined to meet in combat, and surprisingly, their confrontation is pretty short spanning just three episodes, but as I mentioned in the lead-in it’s at least all contained on this set without bleeding over into the next. It does mean a some-what abrupt end to the season as the immediate fall-out is left for Season 5.

Dragon Ball Season 4 marks both a new story-telling device for the show, vengeance, as well as a doubling-down on the previous format. That format is essentially Goku encountering a new foe, getting beaten down, training, and then returning to face the enemy in a rematch now powered-up. It’s a formula that Dragon Ball Z will beat into the ground, but at least here it’s not quite so worn out. Still, the training moments between Goku and Korin are slow, and they’re made even more so because the story did give us an effective motivation earlier for Goku to face Piccolo. It’s both refreshing and sad to see Goku motivated by vengeance. It would be nice if Goku could remain unaffected by the evils of the world, but it’s also unrealistic for a show with such an expansive amount of episodes. Sort of forgotten is how the season begins, with Goku turning an adversary in Tien into a new ally. It’s handled well enough, with Tien’s sense of honor ultimately being the aspect of him that is won over by Goku and his friends. Of course, if you’re like me and you experienced Dragon Ball Z before Dragon Ball then you knew Tien was destined to be an ally, but it was still entertaining to watch.

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A powered-up Goku is ready to take on the king.

At this point, the show has also improved visually. It’s success likely lead to some increased production budgets by TOEI Animation so the special effects and animation are better than they’ve ever been. The aged King Piccolo is well illustrated and he’s actually a lot more interesting to look at than the youthful version. There’s a moment where he forces an egg out of his mouth to create a new minion and it’s both gross and strangely satisfying to watch the scene play out. The original soundtrack is kept, and while it’s certainly dated, it has a whimsical quality that works really well with Dragon Ball. The benefit of FUNimation dubbing the series after DBZ means these actors have had plenty of time to get a feeling for the roles and everyone sounds mostly great. They’re all familiar if you’ve watched the other dubs, and the continuity is nice and appreciated. If you prefer Japanese audio it’s there as well. The original aspect ratio is also preserved.

Season 1 is still my favorite Dragon Ball season, mostly because it’s just a lot of fun and the ignorant Goku of Season 1 is really entertaining. Season 4 might be my second favorite though. It has some filler, but not as much as Season 3, and the stakes feel high which is also an improvement over both Seasons 2 and 3 and helps to give the confrontation more weight. It’s also satisfying when taken as a whole, and though I wouldn’t recommend it, you could conceivably just jump-in at Season 4 and enjoy it without seeing the previous material. I don’t know that I would call it peak Dragon Ball, but there is a downward slide following it with Season 5 basically feeling like an encore for the show as well as a setup for what’s to come. I promise to not take over four years to get to that one.


Batman: The Animated Series – “Feat of Clay – Part I”

Feat_of_Clay-Title_CardEpisode Number:  20

Original Air Date:  September 8, 1992

Directed by:  Dick Sebast

Written by:  Marv Wolfman and Michael Reaves

First Appearance(s):  Roland Daggett, Clayface

I don’t know what happened that caused me to miss the first few broadcast episodes of Batman: The Animated Series, but “Feat of Clay” was the first episode I ever saw. It’s possible that my memory is just fuzzy and I did see the few episodes that aired before it, but my family had also just moved from New Hampshire to Virginia so it was a pretty hectic period for us. Regardless, assuming it was my introduction to the show it’s a pretty great way to have the ice broken. Though “Feat of Clay” is a bit more procedural an episode as opposed to action packed, it’s a well constructed and satisfying viewing experience and I remember being captivated by the show’s tone which just felt so much more “adult” than what I was used to.

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Roland Daggett is a made for TV villain that proves to be a worthy addition to Batman canon.

“Feat of Clay” marks the debut of two characters we’ll see more than once over the course of the series. The first is crooked businessman Roland Daggett (Ed Asner). Rumor has it he was supposed to be Max Shreck from Batman Returns but supposedly Tim Burton wasn’t on board with that for some reason, so Daggett was created instead. He’s a businessman and slumlord who prioritizes money above human life. In this episode, he’s concerned with his chemical plant, Daggett Industries, and a certain client. Matt Hagen (Ron Perlman) is that client, a down on his luck actor once renowned for his ability to alter his appearance and mold himself for any role. Ever since an accident left his face horribly disfigured, he’s found it pretty hard to find work.

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Imposter Bruce wants that brief case.

The episode opens in confusing fashion (for an eight year old) with Bruce Wayne meeting Wayne Enterprises CEO Lucius Fox in the middle of the night at an old warehouse (Gotham is just full of these). Fox is confused, but he brought what Wayne was seeking – a briefcase containing documents which incriminate Daggett in an illegal attempt at taking over Wayne Enterprises. Wayne quickly double-crosses him and a horde of goons appear. They’re ordered to kill Fox, but lucky for him they’re a terrible shot. He’s eventually injured when one assailant is able to shoot out a rope and drop some debris on him. Apparently it’s a lot harder to shoot an adult male than it is a thin rope. Batman is also alerted to the gun fire and he shows up to clean up some of the mess, but he’s not in time to prevent Fox’s injury.

As a viewer, it was hard to believe Wayne would do anything to endanger one of his friends and the presence of Batman confirms this. Eventually we find out Wayne was none other than Matt Hagen in disguise. Hagen has found a topical cream that can cover up his scars, and more importantly, turns his face into a clay-like state which allows him to mold his own features to resemble others (no explanation given for how he alters his voice, that’s just cartoons for ya). The cream, Renuyu (pronounced Renew You), just so happens to be manufactured by Daggett Industries. As we know, Daggett wants to take over Wayne Enterprises, and the encounter with Fox was supposed to result in Fox’s death which would have been the catalyst for the takeover. With Hagen’s failure, Daggett has decided to cut-off Hagen’s supply of cream. He also orders his two primary henchman, Raymond Bell and Germs, to take Hagen out as he’s now a liability.

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Hollywood doesn’t have many roles for mugs like that one.

Unfortunately for Hagen, he needs the cream in order to keep working. It also has proven to be an addictive substance, though weather the cream is chemically addictive or just psychologically given it can erase scars is anyone’s guess and beside the point. Hagen feels like he needs it, and he is not willing to go without it.

Batman is of course trying to figure out what happened to Fox, oblivious at first that Bruce Wayne was framed for the attempted murder. Fox was able to tell the cops what happened, and naturally they want to speak with Bruce. Alfred covers for him while Bruce tries to figure out what happened back at the warehouse. Batman is able to trace Daggett back to Raymond Bell, who was there the night of Wayne’s framing. He tracks him down in the Batwing and runs Bell’s car off the road. In perhaps Batman’s finest interrogation, he uses the prongs on the front of the Batwing to impale and carry Bell’s car high above Gotham. Utilizing a mechanical arm, he extracts Bell from the car and dangles him over Gotham Harbor. He’s only able to find out that Wayne was not present the night of Fox’s attack, but Bell faints before he can fess up to who was behind it. The police show up and Batman is forced to hand over his prisoner. Now knowing that a Wayne imposter was present, he decides, against better judgement I’d say, to visit Fox in the hospital after hours which only makes Fox think he’s returned to finish the job. He’s arrested as a result.

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In order to hide his scars, Hagen is forced to rely on a cream provided by Daggett.

Not to be outdone, Hagen also decides to do some infiltrating and heads to Daggett’s lab. Using the last bit of Renuyu he possesses, Hagen is able to slip in undetected, but not for long. Daggett and his men discover him, and in a rather disturbing scene, Daggett basically drowns Hagen in the stuff by pouring it down his throat. The “murder” is only seen via shadows on the wall, but it’s effective. Hagen survives though, and his stand-in finds him later in his car where Daggett’s men had left him, but Hagen is different. We get just a brief look at him as he glances in the rear-view mirror before the episode ends with that which is oh so frustrating:  To be continued.

“Feat of Clay” is a slow moving episode of Batman, but necessarily so. The pacing allows us to really get inside Matt Hagen and sympathize with him. He’s driven to continue his life as it was before the accident that left him scarred and disfigured at all costs. He’s probably dealing with some depression, and the addictive Renuyu is probably the worst thing for him. His friend and stand-in Teddy is also the stand-in for the audience as he tries to talk Matt out of this path, but to no avail. He loves him too much to just abandon him, but we’re left to wonder if he’ll be pushed too far in the stories to come. Daggett, on the other hand, is a pretty conventional villain. He has no redeeming qualities and is easy to understand. He’s yet another gangster type who gives birth to a super-villain, following in the footsteps of Rupert Thorne and the role he played in creating Two-Face. Still, conventional as he may be, I always liked Daggett as a villain because there’s no compromise in him or an attempt to disguise his intentions. He’s not slimy like Thorne, just a cold, hard villain. Ed Asner is also perfectly cast in the role and my affection for him probably plays a role in my liking of Daggett.

As a result of all of the attention paid on Hagen, this ends up being an episode that’s rather light on Batman. The framing plot is engaging, when used, even if it felt rather similar to Batman Returns. He’ll get back to doing what he does best in Part II, but it is still a some-what shocking sight to see Bruce Wayne in handcuffs.

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The “murder” of Matt Hagen and the birth of Clayface.

Since “Feat of Clay” features some rather prominent voice actors, it’s not surprising this episode feels extra special. It also helps that the episode looks great. Hagen’s face is convincingly disfigured and the morphing properties of the cream he applies are fun to look at. Of course, we’re in for a far greater treat when Clayface truly debuts. The scene of his becoming Clayface though is almost incredible considering it’s taking place in a kid’s show. It was shocking to me as a kid and I watched with some disbelief. Also worth pointing out is the subtle personality quirks we get to see within Daggett’s gang. One guy apparently has a fear of germs (hence the name Germs) and Bell is always wearing headphones tuned to police scanners. It’s a small touch, but so often the hired muscle in these episodes are nameless, faceless, men with guns.

As the introduction for a new villain, and one that wasn’t well known outside of the comics, “Feat of Clay” is probably second only to “Two-Face.” It works in tandem with its follow-up, and I might argue it’s a more satisfying set of episodes than its predecessor. I suppose I’ll wait until I do a write-up on Part II before I make up my mind, but it should go without saying that these two episodes are among the best the show produced.


Batman: The Animated Series – Prophecy of Doom

Prophecy_of_Doom-Title_CardEpisode Number:  19

Original Air Date:  October 6, 1992

Directed by:  Frank Paur

Written by:  Dennis Marks, Seath Catherine Derek

First Appearance(s):  Nostromos, Frank Clark, Lisa Clark

Happy Ground Hog Day, or as I like to call it, Bill Murray Day!

With a show like Batman:  The Animated Series, it can sometimes be tempting to look ahead. The show had so many great episodes and there are certain ones I am eager to revisit. The show also has a tendency to have three or four great episodes all in a row, then a low point, before resetting itself. Today’s episode is one of those low points. “Prophecy of Doom” is another episode that does not feature a prominent villain for Batman to do battle with. This isn’t a death sentence as plenty of episodes are able to tell compelling stories without a popular villain. Last week’s episode, “Beware the Gray Ghost,” is a perfect example of such an episode. Usually these episodes need to entertain in a different manner. One way is they simply create a new villain that proves to be compelling without the name recognition. Other times they just tell a good story or explore the Batman character in a new fashion.

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Ethan is telling Bruce all about his new psychic pal while daughter Lisa looks bored.

“Prophecy of Doom” unfortunately does not really do any of those things. It’s a story about a con artist suckering some of Gotham’s super elite. Nostromos (Michael Des Barres) is a fortune teller of sorts who seems to only see the bad things that are about to happen. He’s able to convince his followers that he does indeed possess special gifts by making sure those misfortunes actually take place. He’s going to sucker some people close to Bruce Wayne, forcing him to “go undercover” in a way as a believer himself in order to find the truth in all of it.

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Now there’s a guy I’d entrust my fortune to.

The episode opens on a casino ship listing in the ocean waters at night. It’s a rare example of Batman’s art looking rather cruddy as the black paper effect just makes the ship look flat. The camera pans throughout the ship’s interior giving us a look at the fun being had before resting on a wad of dynamite in the ship’s bowels that soon detonates. The rescue boats soon fill with screaming patrons and the ship eventually sinks, if anyone actually died we’re not told, but the show also doesn’t go out of its way to tell us no one was hurt which is rare for a children’s program. This whole scenario is a lead-in to a dinner date Bruce Wayne is having with Ethan Clark (William Windom) and his adult daughter Lisa (Heather Locklear). I’m assuming Ethan’s connection to Bruce, being that he’s an older gentleman, is that he was likely a friend to Bruce’s parents and he maintains a friendship with him. Ethan was apparently supposed to be on that casino ship, but he was warned not to board by Nostromos. Lisa is an apparent skeptic, but Ethan believes in Nostromos and encourages Bruce to seek him out. Bruce walks Lisa to her car after the dinner during which she reveals her dad has joined some secret brotherhood and expresses concern for him. She also even makes the observation that she thinks all of Nostromos’s predictions come true because he makes them.

Naturally, Bruce is intrigued and attends one of the demonstrations. He draws attention to himself, in a rather clever piece of story-telling, by acting sort of childishly skeptic of everything. Nostromos takes notice and singles out Bruce to make a prediction that something dire will happen! And sure enough, the very next day Bruce’s private elevator at Wayne Towers malfunctions. The accident is supposed to kill Wayne, but being Batman and all, he escapes and even finds his would-be assassin on the roof. The episode will brush this whole thing aside by simply saying Bruce stepped off the elevator, but I always found it preposterous no one makes the obvious Batman connection as a result.

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Nostromos can really work a crowd.

Anyways, Bruce did get Nostromos’s fingerprints at that meeting and looks him up in his crime lab. Amusingly, the mug shot for Nostromos, real name Carl Fowler, features him in his costume which feels kind of lazy. Or someone thought their audience wouldn’t be smart enough to know it’s the same guy if he looked different, even if Batman is there to tell us. Batman also discovers his partner, Lucas (Aron Kincaid). The two were busted for larceny years back, so all of the pieces are starting to fit. The audience even gets a glimpse of Nostromos and Lucas fretting over Wayne’s non-demise. Wayne bails him out though by having a change of heart. Now feigning that he’s a believer, Wayne is invited to join the brotherhood where he learns of Nostromos’s ultimate plan:  foretell a great economic collapse and get everyone to pool their money into a fund that he will eventually be able to control. He does a grand demonstration which includes the use of a wire to fly to sucker them all in. Lisa gets snoopy though and Lucas kidnaps her, which I suppose I should have seen coming.

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This is more dangerous than it looks.

Nostromos uses Lisa to get Ethan to sign over control of the fund the other “brothers” have invested in. He and Lucas then attempt to kill them off, but Batman has other ideas. The climax looks like it’s going to be a reward, of sorts, for the viewers as Batman schools these chumps, but instead Lucas gives him a fight. It looks awkward and clumsy, but the coloring is flashy as it’s all in black and white to make it look like they’re fighting in a dark room. Lisa is strapped to a ceiling model of what appears to be Mars while other planets revolve around her. Nostromos smashes the machine that controls it which is apparently enough to make the planets come out of alignment and collide with one another. Our only real suspense for the scene is will Batman stop the bad guys and save the girl in time? It’s been done.

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I did enjoy how this fight scene was colored, so the episode isn’t a total loss. Though Batman really didn’t need to sell for this chump.

You know how it ends so I’ll spare you the details. This episode is not only a bit on the boring side, but it also doesn’t look great. There’s an animation spot where Batman walks to the Batmobile and he looks real awkward and unnatural. The additional characters added also look cheap and drab with Lucas especially seeming incapable of making a facial expression. The few times a character tries to make a joke it falls flat. There is one neat bit of violence where Batman throws a bat-a-rang at Lucas and it lodges in the back of his knee. I don’t think we’ll see anything similar in another episode. That’s part of Batman’s first encounter with him following the failed elevator spot and it’s just not at all believable that he could escape Batman, especially after the knee injury (which is apparently fine by the time the two tangle again). Perhaps an inordinate amount of the budget of this episode was spent securing Heather Locklear for the role of Lisa, a character that you think Bruce might have some romantic interest in, but is ultimately shelved following this episode. “Prophecy of Doom” is just a dud, not unwatchable, but not an episode you’re likely to return to after seeing it once. Next week’s though? One of the best – see you then!


Batman: The Animated Series – “Beware the Gray Ghost”

Beware-the-gray-ghostEpisode Number:  18

Original Air Date:  November 4, 1992

Directed by:  Boyd Kirkland

Written by:  Dennis O’Flaherty, Tom Ruegger

First Appearance(s):  The Gray Ghost, The Mad Bomber

I’m on record as saying “Heart of Ice” is the best episode of Batman: The Animated Series, but “Beware the Gray Ghost” is its most charming. It was presumably a lot of fun to write and produce this one and it’s definitely a ton of fun to watch. Before Tim Burton and before this series, most people knew Batman through syndicated runs of the 1960s television series, Batman. That show, and it’s accompanying movie, is how many fans fell in love with the character and presumably how a lot of the folks who worked on this show fell in love with Batman. This episode is all about meeting your caped crusader idol, and for most people watching in 1992 that was Adam West who returns to the Batman franchise for this episode as the voice of Simon Trent, better known as the Gray Ghost.

When Bruce Wayne was a kid, his favorite show was The Gray Ghost. The Gray Ghost was a vigilante character who resembled The Shadow, and naturally Batman shares a lot in common with him as well. We see young Bruce watching an episode unfold on television while his father looks on. Quick cuts jump us to the present where Batman is watching a bombing take place, the action and setup for each shot mirroring that of the episode of The Gray Ghost taking place in the past. It’s a fun piece of editing and the setup for the episode.

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Young Bruce and his dad taking in an episode of The Gray Ghost.

Several bombings have taken place in and around Gotham lately, and before each one a tell-tale buzzing noise can be heard. Batman recognizes it, but he’s not sure where from. Eventually he realizes it’s from an episode of his beloved Gray Ghost program, and it just so happens the actor who used to play that role, Simon Trent, lives in Gotham. Unfortunately for Trent, playing the Gray Ghost lead to decades of type-casting following the show’s cancellation. He’s broke and can’t find work as a result and has resorted to selling off anything related to the show he once owned to a local toy and collectible shop run by a fellow named Ted Dymer (voiced by and drawn to resemble Bruce Timm). As Bruce Wayne, Batman is unable to locate any old tapes of The Gray Ghost and turns to Trent for help. He visits Trent as Batman, which naturally freaks him out. He wants nothing to do with the character or Batman, but he gives him a film reel of the episode in question which Batman happily takes home and enjoys.

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Simon Trent is a bit down on his luck following his typecasting after Gray Ghost ended production years earlier.

Batman is able to see how the bombings are being carried out by watching the show:  tiny RC cars armed with explosives drive into the target and detonate. Trent, having sold all of his merchandise, doesn’t want to help further, but Batman is seemingly reluctant to let his image of the Gray Ghost as a hero vanish completely and he goes so far as to re-purchase the old costume (among other things he sold off) and gift it to Trent. It’s enough to inspire him to put the old costume back on and he joins Batman on a stake-out of the next bombing target, which The Mad Bomber was happy to share with both Batman and the Gotham PD.

Through the Batman and Gray Ghost team-up, we learn almost everything associated with Batman was inspired by the Gray Ghost. Even the layout of the Batcave is supposedly the same as the lair of the Gray Ghost that was depicted on television. Trent is amazed to see it all, and Batman is more than willing to show it off like a proud child bringing home an A+ report card to his father. They’re also able to foil the bombing and even capture one of the cars. Batman analyzes it for prints and finds the only ones on it belong to Simon Trent. When it looks like Batman is going to have to arrest his hero, Trent realizes who the real bomber must be.

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Batman seems to delight in showing off all of the Gray Ghost-inspired gadgets in his inventory.

The episode wraps rather predictably with Batman and the Gray Ghost saving the day. The mystery of the bomber is not at all hard to figure out, but I’ll withhold it nonetheless for anyone who has yet to see this episode. The final scene of the episode is also great and even a little touching. Trent is seemingly back on his feet after the real-life exploits of the Gray Ghost made the character popular once more and is signing copies of his new autobiography in costume. Bruce attends the signing and tells Trent how the Gray Ghost was his hero and that he used to watch it with his dad all of the time. The words he uses are the exact same he used as Batman when he told the same story to the Gray Ghost. Trent gives a little knowing smile, and the episode comes to a close.

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Toy collector and enthusiast Ted Dymer is essentially Bruce Timm, and is voiced by him too.

Having Adam West gust star on Batman: The Animated Series is a true delight. It was a lot of fun for me as a child because I actually picked up on who the guest star was. I would often hear my parents remark that a character sounded like a certain actor, always noticing before I ever made the connection. To me, the voice simply belonged to the character onscreen. Not so with Simon Trent though as Adam West was a big part of my childhood as Batman and his voice was unmistakable. His little arc through-out the episode is fun, and even a bit emotional. It in some way mirrored the real-life struggles of West and other actors typecast following a big role like Batman and I wonder if it was cathartic in a way for West to play the part. He’s great as Trent, so he’s not just a novelty here, and brings a lot to the character. As a kid I always wanted to see more of the Gray Ghost in a future episode, but I think as an adult I’m happy he was a one and done thing. This episode is a love letter to the old Batman show and a big “thank you” to West and the other actors, writers, and directors who made that show so memorable. In a time when people were starting to thumb their nose at the old, campy show it was nice to be gifted an episode like this one. Batman can be a lot of things to a lot of people, but throughout every age he’s always a hero.

R.I.P. Adam West (1928-2017)

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